The Evolution of the Art of MusicD. Appleton, 1906 - 342 pagini |
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Pagina 2
... fact that they are peculiarly susceptible to beauty of some kind , whether it be the obvious external kind of beauty , or the beauty of thought and human circumstance ; and that the keenness of their pleasure makes them long to enhance ...
... fact that they are peculiarly susceptible to beauty of some kind , whether it be the obvious external kind of beauty , or the beauty of thought and human circumstance ; and that the keenness of their pleasure makes them long to enhance ...
Pagina 4
... fact to be worth discussing In reality , both arts are much on the same footing , for painting is no more a purely imitative art than music . People deliberately copy nature . chiefly to develop the technique which is necessary to ...
... fact to be worth discussing In reality , both arts are much on the same footing , for painting is no more a purely imitative art than music . People deliberately copy nature . chiefly to develop the technique which is necessary to ...
Pagina 5
Charles Hubert Hastings Parry. most feelings and sensibilities . In fact , the arts of painting and sculpture and their kindred are the expression of the outer surroundings of man , and music of what is within him ; and consequently the ...
Charles Hubert Hastings Parry. most feelings and sensibilities . In fact , the arts of painting and sculpture and their kindred are the expression of the outer surroundings of man , and music of what is within him ; and consequently the ...
Pagina 7
... fact that dancing originates under almost the same conditions as song or any other kind of vocal utterance ; and therefore the rhythmic elements and the melodic elements are only different forms in which the same class of feelings and ...
... fact that dancing originates under almost the same conditions as song or any other kind of vocal utterance ; and therefore the rhythmic elements and the melodic elements are only different forms in which the same class of feelings and ...
Pagina 11
... fact , such as ex- haustion of nervous force or waste of tissue ; but it appears certain that the only reason why a similar explanation cannot be enunciated in connection with the more intangible departments of human phenomena is that ...
... fact , such as ex- haustion of nervous force or waste of tissue ; but it appears certain that the only reason why a similar explanation cannot be enunciated in connection with the more intangible departments of human phenomena is that ...
Alte ediții - Afișează-le pe toate
The Evolution of the Art of Music C Hubert H 1848-1918 Parry Nu există previzualizare disponibilă - 2015 |
The Evolution of the Art of Music C Hubert H 1848-1918 Parry Nu există previzualizare disponibilă - 2015 |
The Evolution of the Art of Music C Hubert H 1848-1918 Parry Nu există previzualizare disponibilă - 2015 |
Termeni și expresii frecvente
achieved adopted arias arpeggios artistic Bach Bach's bass beauty Beethoven branch of art cadence century character characteristic choral music chords chorus colour complete composers contrapuntal contrast contrived counterpoint definite devices dramatic early effect emotional emphasise expression familiar feeling fugues genuine German Handel harmonic form harmonic music harmony harpsichord Haydn human idea Illustrations important influence instinct instru instrumental music intelligible intervals Italian J. S. Bach kind means melodic systems melody ment methods mind minor modern music modes mood movement Mozart musicians nature notes octave opera opera seria oratorio orchestral organ music organisation ornamental passages pentatonic perfect phrases pianoforte polyphonic possible principles of design progress pure rhythm rhythmic scale scheme semitones sense singers singing solo solo music sonata sonata form song sound style successful symphonies tetrachord Teutonic things tion tonality tone tonic treatment utterance variety various violin vocal voice whole
Pasaje populare
Pagina 218 - My idea was that the overture ought to indicate the subject and prepare the spectators for the character of the piece they are about to see; that the instruments ought to be introduced in proportion to the degree of interest and passion in the words...
Pagina i - Heredity." $1.50. 42. ANTS, BEES, AND WASPS. A Record of Observations of the Habits of the Social Hymenoptera. By Sir JOHN LUBBOCK, Bart., FRS, DCL, LL.
Pagina 7 - The rhythmic music is then defined only by the pulses, and has no change of pitch ; while purely melodic music has change of pitch, but no definition or regularity of impulse. The latter is frequently met with among savage races, and even as near the homes of highest art as the outof-the-way corners of the British Isles. Pure, unalloyed rhythmic music is found in most parts of the uncivilised globe; and the degree of excitement to which it can give rise, when the mere beating of a drum or tom-tom...
Pagina 244 - Parisian one into the shade in every respect. The general quality of the musical thoughts is finer, richer, and more interesting; while the purely orchestral effects, especially in the slow movement, are among the most successful things of the kind he ever achieved. And finally the three great symphonies which he wrote in Vienna in 1788 represent the highest level in idea and style and in every distinguished quality of art he ever attained to. They are the crown of his life's work; for in them he...