The Evolution of the Art of MusicD. Appleton, 1906 - 342 pagini |
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Pagina v
... directions should be acknowledged— especially to Mr. Edward Dannreuther , for copious advice , suggestions , and criticisms during the whole time the work was in hand ; to Miss Emily Daymond , of Holloway College , for reading the ...
... directions should be acknowledged— especially to Mr. Edward Dannreuther , for copious advice , suggestions , and criticisms during the whole time the work was in hand ; to Miss Emily Daymond , of Holloway College , for reading the ...
Pagina vii
... direction of design - Ele- mentary types - Reiteration of phrases - Sequences - Tonality- Ornament - Pattern tunes - Universality of certain types of design - Racial characteristics - Expression and design - Highest forms - Decline of ...
... direction of design - Ele- mentary types - Reiteration of phrases - Sequences - Tonality- Ornament - Pattern tunes - Universality of certain types of design - Racial characteristics - Expression and design - Highest forms - Decline of ...
Pagina 14
... direction of expression again ; and in recent times music has aimed at characteristic illustration of things which are interesting and attractive on other grounds than mere beauty of design or of texture . CHAPTER II SCALES THE first ...
... direction of expression again ; and in recent times music has aimed at characteristic illustration of things which are interesting and attractive on other grounds than mere beauty of design or of texture . CHAPTER II SCALES THE first ...
Pagina 59
... direction . The following is an example of parts of a Hungarian tune , and of the version with the ornamentation added by the gipsy performers . The beginning stands as follows : - Gipsy version . Hungarian . 156 16 And the close ...
... direction . The following is an example of parts of a Hungarian tune , and of the version with the ornamentation added by the gipsy performers . The beginning stands as follows : - Gipsy version . Hungarian . 156 16 And the close ...
Pagina 84
... direction of harmony . The harmonic phase of music has been exactly coeval with the development of that particular kind of intellectual disposition which con . tinued to manifest itself more and more as modern Europe slowly emerged from ...
... direction of harmony . The harmonic phase of music has been exactly coeval with the development of that particular kind of intellectual disposition which con . tinued to manifest itself more and more as modern Europe slowly emerged from ...
Alte ediții - Afișează-le pe toate
The Evolution of the Art of Music C Hubert H 1848-1918 Parry Nu există previzualizare disponibilă - 2015 |
The Evolution of the Art of Music C Hubert H 1848-1918 Parry Nu există previzualizare disponibilă - 2015 |
The Evolution of the Art of Music C Hubert H 1848-1918 Parry Nu există previzualizare disponibilă - 2015 |
Termeni și expresii frecvente
achieved adopted arias arpeggios artistic Bach Bach's bass beauty Beethoven branch of art cadence century character characteristic choral music chords chorus colour complete composers contrapuntal contrast contrived counterpoint definite devices dramatic early effect emotional emphasise expression familiar feeling fugues genuine German Handel harmonic form harmonic music harmony harpsichord Haydn human idea Illustrations important influence instinct instru instrumental music intelligible intervals Italian J. S. Bach kind means melodic systems melody ment methods mind minor modern music modes mood movement Mozart musicians nature notes octave opera opera seria oratorio orchestral organ music organisation ornamental passages pentatonic perfect phrases pianoforte polyphonic possible principles of design progress pure rhythm rhythmic scale scheme semitones sense singers singing solo solo music sonata sonata form song sound style successful symphonies tetrachord Teutonic things tion tonality tone tonic treatment utterance variety various violin vocal voice whole
Pasaje populare
Pagina 218 - My idea was that the overture ought to indicate the subject and prepare the spectators for the character of the piece they are about to see; that the instruments ought to be introduced in proportion to the degree of interest and passion in the words...
Pagina i - Heredity." $1.50. 42. ANTS, BEES, AND WASPS. A Record of Observations of the Habits of the Social Hymenoptera. By Sir JOHN LUBBOCK, Bart., FRS, DCL, LL.
Pagina 7 - The rhythmic music is then defined only by the pulses, and has no change of pitch ; while purely melodic music has change of pitch, but no definition or regularity of impulse. The latter is frequently met with among savage races, and even as near the homes of highest art as the outof-the-way corners of the British Isles. Pure, unalloyed rhythmic music is found in most parts of the uncivilised globe; and the degree of excitement to which it can give rise, when the mere beating of a drum or tom-tom...
Pagina 244 - Parisian one into the shade in every respect. The general quality of the musical thoughts is finer, richer, and more interesting; while the purely orchestral effects, especially in the slow movement, are among the most successful things of the kind he ever achieved. And finally the three great symphonies which he wrote in Vienna in 1788 represent the highest level in idea and style and in every distinguished quality of art he ever attained to. They are the crown of his life's work; for in them he...