The Evolution of the Art of MusicD. Appleton, 1906 - 342 pagini |
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Pagina 8
... were formalised into distinct musical intervals . It is still possible to find among lowly organised savages examples of a kind of music which is so little defined in detail that the impulsive cry or howl ∞ THE ART OF MUSIC.
... were formalised into distinct musical intervals . It is still possible to find among lowly organised savages examples of a kind of music which is so little defined in detail that the impulsive cry or howl ∞ THE ART OF MUSIC.
Pagina 9
Charles Hubert Hastings Parry. little defined in detail that the impulsive cry or howl of expression is hardly disguised at all by anything which could be described as a definite interval . But the establishment of a definite interval of ...
Charles Hubert Hastings Parry. little defined in detail that the impulsive cry or howl of expression is hardly disguised at all by anything which could be described as a definite interval . But the establishment of a definite interval of ...
Pagina 43
... detail . Step by step , in analogous ways to those described above , the modes were subjected to further modifications by the addition of more sharps and flats . Men's sense of the need for particular chords in particular relations to ...
... detail . Step by step , in analogous ways to those described above , the modes were subjected to further modifications by the addition of more sharps and flats . Men's sense of the need for particular chords in particular relations to ...
Pagina 68
... detail . But by way of contrast it will be well to take a passing glance at the tunes of advanced but less concentrated races . In southern countries the impulse is neither towards concen- tration of design nor often towards any degree ...
... detail . But by way of contrast it will be well to take a passing glance at the tunes of advanced but less concentrated races . In southern countries the impulse is neither towards concen- tration of design nor often towards any degree ...
Pagina 96
... detail . It pursued its slow course on the same lines . Composers found out artistic devices which facilitated their labours , and enabled them to approximate to more pleasing and artistic results . But the average quality of their ...
... detail . It pursued its slow course on the same lines . Composers found out artistic devices which facilitated their labours , and enabled them to approximate to more pleasing and artistic results . But the average quality of their ...
Alte ediții - Afișează-le pe toate
The Evolution of the Art of Music C Hubert H 1848-1918 Parry Nu există previzualizare disponibilă - 2015 |
The Evolution of the Art of Music C Hubert H 1848-1918 Parry Nu există previzualizare disponibilă - 2015 |
The Evolution of the Art of Music C Hubert H 1848-1918 Parry Nu există previzualizare disponibilă - 2015 |
Termeni și expresii frecvente
achieved adopted arias arpeggios artistic Bach Bach's bass beauty Beethoven branch of art cadence century character characteristic choral music chords chorus colour complete composers contrapuntal contrast contrived counterpoint definite devices dramatic early effect emotional emphasise expression familiar feeling fugues genuine German Handel harmonic form harmonic music harmony harpsichord Haydn human idea Illustrations important influence instinct instru instrumental music intelligible intervals Italian J. S. Bach kind means melodic systems melody ment methods mind minor modern music modes mood movement Mozart musicians nature notes octave opera opera seria oratorio orchestral organ music organisation ornamental passages pentatonic perfect phrases pianoforte polyphonic possible principles of design progress pure rhythm rhythmic scale scheme semitones sense singers singing solo solo music sonata sonata form song sound style successful symphonies tetrachord Teutonic things tion tonality tone tonic treatment utterance variety various violin vocal voice whole
Pasaje populare
Pagina 218 - My idea was that the overture ought to indicate the subject and prepare the spectators for the character of the piece they are about to see; that the instruments ought to be introduced in proportion to the degree of interest and passion in the words...
Pagina i - Heredity." $1.50. 42. ANTS, BEES, AND WASPS. A Record of Observations of the Habits of the Social Hymenoptera. By Sir JOHN LUBBOCK, Bart., FRS, DCL, LL.
Pagina 7 - The rhythmic music is then defined only by the pulses, and has no change of pitch ; while purely melodic music has change of pitch, but no definition or regularity of impulse. The latter is frequently met with among savage races, and even as near the homes of highest art as the outof-the-way corners of the British Isles. Pure, unalloyed rhythmic music is found in most parts of the uncivilised globe; and the degree of excitement to which it can give rise, when the mere beating of a drum or tom-tom...
Pagina 244 - Parisian one into the shade in every respect. The general quality of the musical thoughts is finer, richer, and more interesting; while the purely orchestral effects, especially in the slow movement, are among the most successful things of the kind he ever achieved. And finally the three great symphonies which he wrote in Vienna in 1788 represent the highest level in idea and style and in every distinguished quality of art he ever attained to. They are the crown of his life's work; for in them he...