The Evolution of the Art of MusicD. Appleton, 1906 - 342 pagini |
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Pagina 9
... contrast them in some way ; and the excitement of sympathy with an expressive cry is merged in a crudely artistic pleasure derived from the contemplation of something of the nature of a pattern . It is obvious that the rhythmic ...
... contrast them in some way ; and the excitement of sympathy with an expressive cry is merged in a crudely artistic pleasure derived from the contemplation of something of the nature of a pattern . It is obvious that the rhythmic ...
Pagina 10
... contrast of which the art is capable . In this respect the two contrasting principles of expression are types of a system of contrasts which is the basis of all mature musical design ; and when the ultimate origin of all music , as ...
... contrast of which the art is capable . In this respect the two contrasting principles of expression are types of a system of contrasts which is the basis of all mature musical design ; and when the ultimate origin of all music , as ...
Pagina 12
... contrast that of principle between the rhythmic and the melodic on one hand , and of emotional and intellectual on the other , are the widest . The manner in which they are applied in the highest works of absolute music , such as ...
... contrast that of principle between the rhythmic and the melodic on one hand , and of emotional and intellectual on the other , are the widest . The manner in which they are applied in the highest works of absolute music , such as ...
Pagina 13
... contrast of character in conformity with their inherent differences . This contrast presents itself as the widest example of that law of contrasts which runs through the whole art , and forms , next to the definition of material , its ...
... contrast of character in conformity with their inherent differences . This contrast presents itself as the widest example of that law of contrasts which runs through the whole art , and forms , next to the definition of material , its ...
Pagina 30
... contrast to the Persians the inhabitants of the great Indian peninsula appear to have sedulously avoided applying mathematics to their scales ; and though the Indian scales are even more complicated and numerous than the Persian , they ...
... contrast to the Persians the inhabitants of the great Indian peninsula appear to have sedulously avoided applying mathematics to their scales ; and though the Indian scales are even more complicated and numerous than the Persian , they ...
Alte ediții - Afișează-le pe toate
The Evolution of the Art of Music C Hubert H 1848-1918 Parry Nu există previzualizare disponibilă - 2015 |
The Evolution of the Art of Music C Hubert H 1848-1918 Parry Nu există previzualizare disponibilă - 2015 |
The Evolution of the Art of Music C Hubert H 1848-1918 Parry Nu există previzualizare disponibilă - 2015 |
Termeni și expresii frecvente
achieved adopted arias arpeggios artistic Bach Bach's bass beauty Beethoven branch of art cadence century character characteristic choral music chords chorus colour complete composers contrapuntal contrast contrived counterpoint definite devices dramatic early effect emotional emphasise expression familiar feeling fugues genuine German Handel harmonic form harmonic music harmony harpsichord Haydn human idea Illustrations important influence instinct instru instrumental music intelligible intervals Italian J. S. Bach kind means melodic systems melody ment methods mind minor modern music modes mood movement Mozart musicians nature notes octave opera opera seria oratorio orchestral organ music organisation ornamental passages pentatonic perfect phrases pianoforte polyphonic possible principles of design progress pure rhythm rhythmic scale scheme semitones sense singers singing solo solo music sonata sonata form song sound style successful symphonies tetrachord Teutonic things tion tonality tone tonic treatment utterance variety various violin vocal voice whole
Pasaje populare
Pagina 218 - My idea was that the overture ought to indicate the subject and prepare the spectators for the character of the piece they are about to see; that the instruments ought to be introduced in proportion to the degree of interest and passion in the words...
Pagina i - Heredity." $1.50. 42. ANTS, BEES, AND WASPS. A Record of Observations of the Habits of the Social Hymenoptera. By Sir JOHN LUBBOCK, Bart., FRS, DCL, LL.
Pagina 7 - The rhythmic music is then defined only by the pulses, and has no change of pitch ; while purely melodic music has change of pitch, but no definition or regularity of impulse. The latter is frequently met with among savage races, and even as near the homes of highest art as the outof-the-way corners of the British Isles. Pure, unalloyed rhythmic music is found in most parts of the uncivilised globe; and the degree of excitement to which it can give rise, when the mere beating of a drum or tom-tom...
Pagina 244 - Parisian one into the shade in every respect. The general quality of the musical thoughts is finer, richer, and more interesting; while the purely orchestral effects, especially in the slow movement, are among the most successful things of the kind he ever achieved. And finally the three great symphonies which he wrote in Vienna in 1788 represent the highest level in idea and style and in every distinguished quality of art he ever attained to. They are the crown of his life's work; for in them he...