The Evolution of the Art of MusicD. Appleton, 1906 - 342 pagini |
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Pagina 13
... called into exercise again when they had revived , the balance and rationale of the process is shown in mature periods of art by a return to the first principle of excitation or source of interest after the establishment of the first ...
... called into exercise again when they had revived , the balance and rationale of the process is shown in mature periods of art by a return to the first principle of excitation or source of interest after the establishment of the first ...
Pagina 15
... called the modern European scale is the only proper and natural one . But it is quite certain that human creatures did exist for a very long time without the advantage of a scale of any sort ; and that they did have to begin building up ...
... called the modern European scale is the only proper and natural one . But it is quite certain that human creatures did exist for a very long time without the advantage of a scale of any sort ; and that they did have to begin building up ...
Pagina 21
... called accidentals , are admitted , both as modifications and as orna- inents . The key of C is clearly represented to every one by the white keys of a pianoforte , but there is not a single black note which every composer cannot use ...
... called accidentals , are admitted , both as modifications and as orna- inents . The key of C is clearly represented to every one by the white keys of a pianoforte , but there is not a single black note which every composer cannot use ...
Pagina 23
... a third with a semi- tone below it , but the interval of a fourth looking downwards with F as a downward leading note to E. This was called the tetrachord of Olympos . In time the note between A and F was added , which gave a SCALES 23.
... a third with a semi- tone below it , but the interval of a fourth looking downwards with F as a downward leading note to E. This was called the tetrachord of Olympos . In time the note between A and F was added , which gave a SCALES 23.
Pagina 24
... called the Doric tetrachord . It was enlarged by the simple process of adding another group of notes which corre- sponded exactly to the first , such as E , D , C , B , below or above , thereby making a balance to the other tetrachord ...
... called the Doric tetrachord . It was enlarged by the simple process of adding another group of notes which corre- sponded exactly to the first , such as E , D , C , B , below or above , thereby making a balance to the other tetrachord ...
Alte ediții - Afișează-le pe toate
The Evolution of the Art of Music C Hubert H 1848-1918 Parry Nu există previzualizare disponibilă - 2015 |
The Evolution of the Art of Music C Hubert H 1848-1918 Parry Nu există previzualizare disponibilă - 2015 |
The Evolution of the Art of Music C Hubert H 1848-1918 Parry Nu există previzualizare disponibilă - 2015 |
Termeni și expresii frecvente
achieved adopted arias arpeggios artistic Bach Bach's bass beauty Beethoven branch of art cadence century character characteristic choral music chords chorus colour complete composers contrapuntal contrast contrived counterpoint definite devices dramatic early effect emotional emphasise expression familiar feeling fugues genuine German Handel harmonic form harmonic music harmony harpsichord Haydn human idea Illustrations important influence instinct instru instrumental music intelligible intervals Italian J. S. Bach kind means melodic systems melody ment methods mind minor modern music modes mood movement Mozart musicians nature notes octave opera opera seria oratorio orchestral organ music organisation ornamental passages pentatonic perfect phrases pianoforte polyphonic possible principles of design progress pure rhythm rhythmic scale scheme semitones sense singers singing solo solo music sonata sonata form song sound style successful symphonies tetrachord Teutonic things tion tonality tone tonic treatment utterance variety various violin vocal voice whole
Pasaje populare
Pagina 218 - My idea was that the overture ought to indicate the subject and prepare the spectators for the character of the piece they are about to see; that the instruments ought to be introduced in proportion to the degree of interest and passion in the words...
Pagina i - Heredity." $1.50. 42. ANTS, BEES, AND WASPS. A Record of Observations of the Habits of the Social Hymenoptera. By Sir JOHN LUBBOCK, Bart., FRS, DCL, LL.
Pagina 7 - The rhythmic music is then defined only by the pulses, and has no change of pitch ; while purely melodic music has change of pitch, but no definition or regularity of impulse. The latter is frequently met with among savage races, and even as near the homes of highest art as the outof-the-way corners of the British Isles. Pure, unalloyed rhythmic music is found in most parts of the uncivilised globe; and the degree of excitement to which it can give rise, when the mere beating of a drum or tom-tom...
Pagina 244 - Parisian one into the shade in every respect. The general quality of the musical thoughts is finer, richer, and more interesting; while the purely orchestral effects, especially in the slow movement, are among the most successful things of the kind he ever achieved. And finally the three great symphonies which he wrote in Vienna in 1788 represent the highest level in idea and style and in every distinguished quality of art he ever attained to. They are the crown of his life's work; for in them he...