The Evolution of the Art of MusicD. Appleton, 1906 - 342 pagini |
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Pagina 11
... adopting a different method , which gives opportunity to the faculties which were getting jaded to recover ; and when that has been effected , the natural instinct is to revert to that which first gave pleasure ; and the renewal of the ...
... adopting a different method , which gives opportunity to the faculties which were getting jaded to recover ; and when that has been effected , the natural instinct is to revert to that which first gave pleasure ; and the renewal of the ...
Pagina 25
... adopted about the time of Pythagoras . Thus the Doric mode stood as E F GABCDE , the semitones coming between first and second and fifth and sixth ; the Phrygian mode became like a scale played on the white notes of the pianoforte ...
... adopted about the time of Pythagoras . Thus the Doric mode stood as E F GABCDE , the semitones coming between first and second and fifth and sixth ; the Phrygian mode became like a scale played on the white notes of the pianoforte ...
Pagina 29
... adopted a system of tuning which gave intervals that are quite unknown to our ears ; as , for instance , one note which would lie between Eb and E , and another between Ab and A , in the scale of C. The former is described as a neutral ...
... adopted a system of tuning which gave intervals that are quite unknown to our ears ; as , for instance , one note which would lie between Eb and E , and another between Ab and A , in the scale of C. The former is described as a neutral ...
Pagina 30
... adoption of twenty - four equal quarter tones in the octave . But this plan really lessens the delicate perfection of the adaptability of the system ; for though it looks a larger choice of notes , it will not give such absolutely true ...
... adoption of twenty - four equal quarter tones in the octave . But this plan really lessens the delicate perfection of the adaptability of the system ; for though it looks a larger choice of notes , it will not give such absolutely true ...
Pagina 31
... adoption of a few diverse ones by the Greeks . The Indians went so far as to devise seventy - two , by grouping the various degrees of the scale differently in respect of their flats and sharps . The system can be made intelligible by a ...
... adoption of a few diverse ones by the Greeks . The Indians went so far as to devise seventy - two , by grouping the various degrees of the scale differently in respect of their flats and sharps . The system can be made intelligible by a ...
Alte ediții - Afișează-le pe toate
The Evolution of the Art of Music C Hubert H 1848-1918 Parry Nu există previzualizare disponibilă - 2015 |
The Evolution of the Art of Music C Hubert H 1848-1918 Parry Nu există previzualizare disponibilă - 2015 |
The Evolution of the Art of Music C Hubert H 1848-1918 Parry Nu există previzualizare disponibilă - 2015 |
Termeni și expresii frecvente
achieved adopted arias arpeggios artistic Bach Bach's bass beauty Beethoven branch of art cadence century character characteristic choral music chords chorus colour complete composers contrapuntal contrast contrived counterpoint definite devices dramatic early effect emotional emphasise expression familiar feeling fugues genuine German Handel harmonic form harmonic music harmony harpsichord Haydn human idea Illustrations important influence instinct instru instrumental music intelligible intervals Italian J. S. Bach kind means melodic systems melody ment methods mind minor modern music modes mood movement Mozart musicians nature notes octave opera opera seria oratorio orchestral organ music organisation ornamental passages pentatonic perfect phrases pianoforte polyphonic possible principles of design progress pure rhythm rhythmic scale scheme semitones sense singers singing solo solo music sonata sonata form song sound style successful symphonies tetrachord Teutonic things tion tonality tone tonic treatment utterance variety various violin vocal voice whole
Pasaje populare
Pagina 218 - My idea was that the overture ought to indicate the subject and prepare the spectators for the character of the piece they are about to see; that the instruments ought to be introduced in proportion to the degree of interest and passion in the words...
Pagina i - Heredity." $1.50. 42. ANTS, BEES, AND WASPS. A Record of Observations of the Habits of the Social Hymenoptera. By Sir JOHN LUBBOCK, Bart., FRS, DCL, LL.
Pagina 7 - The rhythmic music is then defined only by the pulses, and has no change of pitch ; while purely melodic music has change of pitch, but no definition or regularity of impulse. The latter is frequently met with among savage races, and even as near the homes of highest art as the outof-the-way corners of the British Isles. Pure, unalloyed rhythmic music is found in most parts of the uncivilised globe; and the degree of excitement to which it can give rise, when the mere beating of a drum or tom-tom...
Pagina 244 - Parisian one into the shade in every respect. The general quality of the musical thoughts is finer, richer, and more interesting; while the purely orchestral effects, especially in the slow movement, are among the most successful things of the kind he ever achieved. And finally the three great symphonies which he wrote in Vienna in 1788 represent the highest level in idea and style and in every distinguished quality of art he ever attained to. They are the crown of his life's work; for in them he...