The Evolution of the Art of MusicD. Appleton, 1906 - 342 pagini |
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Pagina 9
... accompaniment . By such means the rhythmic and the melodic were combined , and it is no reckless inference that from some such form of combination sprung the original rhythmic organisation of poetry .. But the tendency to revert to ...
... accompaniment . By such means the rhythmic and the melodic were combined , and it is no reckless inference that from some such form of combination sprung the original rhythmic organisation of poetry .. But the tendency to revert to ...
Pagina 54
... accompaniment to long passages of free melody , as in the slow movement of Bach's Italian concerto , and in the organ fantasia in C ; it is also illustrated in the familiar form of the ground bass so often used by Lulli , Purcell ...
... accompaniment to long passages of free melody , as in the slow movement of Bach's Italian concerto , and in the organ fantasia in C ; it is also illustrated in the familiar form of the ground bass so often used by Lulli , Purcell ...
Pagina 88
... was chiefly by interchanging fifths , fourths , and octaves or unisons , and by the use of stationary notes ( such as are commonly described in modern times as pedals ) as an accompaniment to plain - song . The following 88 THE ART OF ...
... was chiefly by interchanging fifths , fourths , and octaves or unisons , and by the use of stationary notes ( such as are commonly described in modern times as pedals ) as an accompaniment to plain - song . The following 88 THE ART OF ...
Pagina 89
Charles Hubert Hastings Parry. as an accompaniment to plain - song . The following will illus trate their skill , about the tenth century , in varying the monotony of consecutive fifths or fourths : - - Te hu - mi - les fa - mu- li mo ...
Charles Hubert Hastings Parry. as an accompaniment to plain - song . The following will illus trate their skill , about the tenth century , in varying the monotony of consecutive fifths or fourths : - - Te hu - mi - les fa - mu- li mo ...
Pagina 93
... accompaniment . This curious practice is more easily intelligible when the element of rhythm comes in and makes it possible to base the combination upon short figures , and to present the whole in an instrumental form . Vocal melodies ...
... accompaniment . This curious practice is more easily intelligible when the element of rhythm comes in and makes it possible to base the combination upon short figures , and to present the whole in an instrumental form . Vocal melodies ...
Alte ediții - Afișează-le pe toate
The Evolution of the Art of Music C Hubert H 1848-1918 Parry Nu există previzualizare disponibilă - 2015 |
The Evolution of the Art of Music C Hubert H 1848-1918 Parry Nu există previzualizare disponibilă - 2015 |
The Evolution of the Art of Music C Hubert H 1848-1918 Parry Nu există previzualizare disponibilă - 2015 |
Termeni și expresii frecvente
achieved adopted arias arpeggios artistic Bach Bach's bass beauty Beethoven branch of art cadence century character characteristic choral music chords chorus colour complete composers contrapuntal contrast contrived counterpoint definite devices dramatic early effect emotional emphasise expression familiar feeling fugues genuine German Handel harmonic form harmonic music harmony harpsichord Haydn human idea Illustrations important influence instinct instru instrumental music intelligible intervals Italian J. S. Bach kind means melodic systems melody ment methods mind minor modern music modes mood movement Mozart musicians nature notes octave opera opera seria oratorio orchestral organ music organisation ornamental passages pentatonic perfect phrases pianoforte polyphonic possible principles of design progress pure rhythm rhythmic scale scheme semitones sense singers singing solo solo music sonata sonata form song sound style successful symphonies tetrachord Teutonic things tion tonality tone tonic treatment utterance variety various violin vocal voice whole
Pasaje populare
Pagina 218 - My idea was that the overture ought to indicate the subject and prepare the spectators for the character of the piece they are about to see; that the instruments ought to be introduced in proportion to the degree of interest and passion in the words...
Pagina i - Heredity." $1.50. 42. ANTS, BEES, AND WASPS. A Record of Observations of the Habits of the Social Hymenoptera. By Sir JOHN LUBBOCK, Bart., FRS, DCL, LL.
Pagina 7 - The rhythmic music is then defined only by the pulses, and has no change of pitch ; while purely melodic music has change of pitch, but no definition or regularity of impulse. The latter is frequently met with among savage races, and even as near the homes of highest art as the outof-the-way corners of the British Isles. Pure, unalloyed rhythmic music is found in most parts of the uncivilised globe; and the degree of excitement to which it can give rise, when the mere beating of a drum or tom-tom...
Pagina 244 - Parisian one into the shade in every respect. The general quality of the musical thoughts is finer, richer, and more interesting; while the purely orchestral effects, especially in the slow movement, are among the most successful things of the kind he ever achieved. And finally the three great symphonies which he wrote in Vienna in 1788 represent the highest level in idea and style and in every distinguished quality of art he ever attained to. They are the crown of his life's work; for in them he...