The Evolution of the Art of MusicD. Appleton, 1906 - 342 pagini |
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Pagina x
... German ideals— Wagner - Early influences - Instinct and theory - Exile and reflection - Maturity - Methods and principles - Leit motive-- Tonality - Instrumental effect - Design and expression again- Declamation and singing - Profusion ...
... German ideals— Wagner - Early influences - Instinct and theory - Exile and reflection - Maturity - Methods and principles - Leit motive-- Tonality - Instrumental effect - Design and expression again- Declamation and singing - Profusion ...
Pagina 69
... enormous quantity of genuine early German folk - music ; but it is quite singularly deficient in vividness of any kind , and is devoid of marked characteris- 29 tics in the way of eccentric intervals and striking FOLK - MUSIC 69.
... enormous quantity of genuine early German folk - music ; but it is quite singularly deficient in vividness of any kind , and is devoid of marked characteris- 29 tics in the way of eccentric intervals and striking FOLK - MUSIC 69.
Pagina 70
... German folk - tunes which show an inclination for co- herence and completeness of design . In a very large majority of tunes the first couple of phrases - making , as it were , the first complete musical sentence - is repeated , thereby ...
... German folk - tunes which show an inclination for co- herence and completeness of design . In a very large majority of tunes the first couple of phrases - making , as it were , the first complete musical sentence - is repeated , thereby ...
Pagina 71
... German folk - music are the irregularity of the metre , in mixing up threes and fours , the diatonic and serious nature of the tunes , and the absence of any obvious sense of vivid rhythm . The impres- sion produced by a large range of ...
... German folk - music are the irregularity of the metre , in mixing up threes and fours , the diatonic and serious nature of the tunes , and the absence of any obvious sense of vivid rhythm . The impres- sion produced by a large range of ...
Pagina 73
... German folk- music . The most noticeable in old folk - tunes is a curious pathetic rise up to the minor seventh of the scale through the fifth . Many tunes begin in this way , as— 31 , And again 32 . The same interval occurs in ...
... German folk- music . The most noticeable in old folk - tunes is a curious pathetic rise up to the minor seventh of the scale through the fifth . Many tunes begin in this way , as— 31 , And again 32 . The same interval occurs in ...
Alte ediții - Afișează-le pe toate
The Evolution of the Art of Music C Hubert H 1848-1918 Parry Nu există previzualizare disponibilă - 2015 |
The Evolution of the Art of Music C Hubert H 1848-1918 Parry Nu există previzualizare disponibilă - 2015 |
The Evolution of the Art of Music C Hubert H 1848-1918 Parry Nu există previzualizare disponibilă - 2015 |
Termeni și expresii frecvente
achieved adopted arias arpeggios artistic Bach Bach's bass beauty Beethoven branch of art cadence century character characteristic choral music chords chorus colour complete composers contrapuntal contrast contrived counterpoint definite devices dramatic early effect emotional emphasise expression familiar feeling fugues genuine German Handel harmonic form harmonic music harmony harpsichord Haydn human idea Illustrations important influence instinct instru instrumental music intelligible intervals Italian J. S. Bach kind means melodic systems melody ment methods mind minor modern music modes mood movement Mozart musicians nature notes octave opera opera seria oratorio orchestral organ music organisation ornamental passages pentatonic perfect phrases pianoforte polyphonic possible principles of design progress pure rhythm rhythmic scale scheme semitones sense singers singing solo solo music sonata sonata form song sound style successful symphonies tetrachord Teutonic things tion tonality tone tonic treatment utterance variety various violin vocal voice whole
Pasaje populare
Pagina 218 - My idea was that the overture ought to indicate the subject and prepare the spectators for the character of the piece they are about to see; that the instruments ought to be introduced in proportion to the degree of interest and passion in the words...
Pagina i - Heredity." $1.50. 42. ANTS, BEES, AND WASPS. A Record of Observations of the Habits of the Social Hymenoptera. By Sir JOHN LUBBOCK, Bart., FRS, DCL, LL.
Pagina 7 - The rhythmic music is then defined only by the pulses, and has no change of pitch ; while purely melodic music has change of pitch, but no definition or regularity of impulse. The latter is frequently met with among savage races, and even as near the homes of highest art as the outof-the-way corners of the British Isles. Pure, unalloyed rhythmic music is found in most parts of the uncivilised globe; and the degree of excitement to which it can give rise, when the mere beating of a drum or tom-tom...
Pagina 244 - Parisian one into the shade in every respect. The general quality of the musical thoughts is finer, richer, and more interesting; while the purely orchestral effects, especially in the slow movement, are among the most successful things of the kind he ever achieved. And finally the three great symphonies which he wrote in Vienna in 1788 represent the highest level in idea and style and in every distinguished quality of art he ever attained to. They are the crown of his life's work; for in them he...