Some Shakespearean Themes |
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Pagina 97
In order to determine this we must recall the familiar truth that dramatic statements exist in a context , and that their meaning is in relation to — often in tension with - that context . Lear is indeed the central consciousness of the ...
In order to determine this we must recall the familiar truth that dramatic statements exist in a context , and that their meaning is in relation to — often in tension with - that context . Lear is indeed the central consciousness of the ...
Pagina 99
( “ Take heed , sirrah ; the whip ' ) , but because he is only licensed , not enfranchised - not , we may say , integrated with the conscious self , which yet has a vein of tenderness towards him — the truth he tells is disguised ...
( “ Take heed , sirrah ; the whip ' ) , but because he is only licensed , not enfranchised - not , we may say , integrated with the conscious self , which yet has a vein of tenderness towards him — the truth he tells is disguised ...
Pagina 211
The decrease of hope and joy : in writing of Pitt , Coleridge remarked that “ his sincerity had no living root of affection ' ; and again , that ' the searcher after truth must love and be beloved ' . For the creative power of the mind ...
The decrease of hope and joy : in writing of Pitt , Coleridge remarked that “ his sincerity had no living root of affection ' ; and again , that ' the searcher after truth must love and be beloved ' . For the creative power of the mind ...
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Cuprins
On Some Contemporary Trends in Shakespeare | 3 |
First Observations | 16 |
The Sonnets and King Henry | 35 |
Drept de autor | |
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Alte ediții - Afișează-le pe toate
Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action answer appearance aspects attitudes aware bring CHAPTER character close comes common complex concern consciousness course criticism death defined direction directly doth effect Elizabethan essay essential evil experience expression fact feel final follow Fool force give given Gloucester Hamlet hand hath heart Henry honour human imagery imaginative insistence interest kind King Lear Lear's less lines living look Macbeth madness matter means merely MICHIGAN mind moral murder nature particular passage perhaps phrase play poetry political present question reason references relation remarked represent scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit stand suggest taken thee theme things thou thought tion tragedies Troilus true truth UNIVERSITY values whole