Some Shakespearean ThemesChatto & Windus, 1959 - 183 pagini |
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Pagina 19
... speak , felt from within , but it is a world that is keenly observed . For our present purposes both the nega- tive and the positive implications of this are important . In the first four plays on English history - the three parts of ...
... speak , felt from within , but it is a world that is keenly observed . For our present purposes both the nega- tive and the positive implications of this are important . In the first four plays on English history - the three parts of ...
Pagina 56
... speak of Shakespeare's investigation of the world of appearance and the power of illusion ; but this is not an investigation proceeding from established positions to logical conclusions . Indeed in Troilus and Cressida , of which I now ...
... speak of Shakespeare's investigation of the world of appearance and the power of illusion ; but this is not an investigation proceeding from established positions to logical conclusions . Indeed in Troilus and Cressida , of which I now ...
Pagina 65
... speak of the senses as mediating between the judgment and the will ? It is the judgment that is the pilot or mediator between the senses and the will . Since Troilus has in fact abjured reason — ' Nay , if we talk of reason , let's shut ...
... speak of the senses as mediating between the judgment and the will ? It is the judgment that is the pilot or mediator between the senses and the will . Since Troilus has in fact abjured reason — ' Nay , if we talk of reason , let's shut ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
1817 LIBRARIES action Antony Antony and Cleopatra Apemantus appearance attitudes aware Boethius C. S. Lewis CHAPTER character Cleopatra comedy consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay evil experience F. R. Leavis fact Falstaff feel Fool force give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence irony kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman means MICHIGAN mind moral murder nature Nature's night Othello passage passion pattern philosophic phrase play play's poet poetic poetry political present Professor public world question reality reason Regan relation scene seems sense Shake Shakespeare significance simply soliloquy Sonnets speak speech suggest T. S. Eliot thee theme things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural whole Wilson Knight words