Some Shakespearean ThemesChatto & Windus, 1959 - 183 pagini |
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Pagina 21
... speak- relates him directly to a world that is seen and felt close at hand . In Henry VI Shakespeare uses more than one style , but the following , from the Second Part ( II . vi ) , is not uncharacteristic of that play : the speaker is ...
... speak- relates him directly to a world that is seen and felt close at hand . In Henry VI Shakespeare uses more than one style , but the following , from the Second Part ( II . vi ) , is not uncharacteristic of that play : the speaker is ...
Pagina 56
... speak of Shakespeare's investigation of the world of appearance and the power of illusion ; but this is not an investigation proceeding from established positions to logical conclusions . Indeed in Troilus and Cressida , of which I now ...
... speak of Shakespeare's investigation of the world of appearance and the power of illusion ; but this is not an investigation proceeding from established positions to logical conclusions . Indeed in Troilus and Cressida , of which I now ...
Pagina 158
... speak unbonneted to as proud a fortune As this that I have reached . Consciousness of worth is expressed in every line , not only in explicit statement but in tone and movement ; and the lofty tone is emphasized by phrases that are the ...
... speak unbonneted to as proud a fortune As this that I have reached . Consciousness of worth is expressed in every line , not only in explicit statement but in tone and movement ; and the lofty tone is emphasized by phrases that are the ...
Cuprins
On Some Contemporary Trends in Shakespeare | 3 |
First Observations | 16 |
The Sonnets and King Henry | 35 |
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Alte ediții - Afișează-le pe toate
Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action answer appearance aspects attitudes aware bring CHAPTER character close comes common complex concern consciousness course criticism death defined direction directly doth effect Elizabethan essay essential evil experience expression fact feel final follow Fool force give given Gloucester Hamlet hand hath heart Henry honour human imagery imaginative insistence interest kind King Lear Lear's less lines living look Macbeth madness matter means merely MICHIGAN mind moral murder nature particular passage perhaps phrase play poetry political present question reason references relation remarked represent scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit stand suggest taken thee theme things thou thought tion tragedies Troilus true truth UNIVERSITY values whole