Some Shakespearean ThemesChatto & Windus, 1959 - 183 pagini |
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Pagina 52
... remarked in an excellent essay [ 11 ] , ' allied to the idea of Time in this play is the conception of over - ruling neces- sity . . . . Necessity is a fact generally accepted by all the political characters ... All are " time's ...
... remarked in an excellent essay [ 11 ] , ' allied to the idea of Time in this play is the conception of over - ruling neces- sity . . . . Necessity is a fact generally accepted by all the political characters ... All are " time's ...
Pagina 56
... remarked that Shakespeare does not deal with his themes in the manner of one embarking on a dispassionate enquiry into the sources of self - deceit and the domination of men by appearances . All we can say is that the way experience ...
... remarked that Shakespeare does not deal with his themes in the manner of one embarking on a dispassionate enquiry into the sources of self - deceit and the domination of men by appearances . All we can say is that the way experience ...
Pagina 153
... remarked that ' every fresh critic who sets out to define the intentions of the author of Hamlet ends up in his own particular dead - end in queer street ' . So the hazards are , it seems , considerable . Let me , therefore , call ...
... remarked that ' every fresh critic who sets out to define the intentions of the author of Hamlet ends up in his own particular dead - end in queer street ' . So the hazards are , it seems , considerable . Let me , therefore , call ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
Drept de autor | |
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Alte ediții - Afișează-le pe toate
Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
1817 LIBRARIES action Antony Antony and Cleopatra Apemantus appearance attitudes aware Boethius C. S. Lewis CHAPTER character Cleopatra comedy consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay evil experience F. R. Leavis fact Falstaff feel Fool force give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence irony kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman means MICHIGAN mind moral murder nature Nature's night Othello passage passion pattern philosophic phrase play play's poet poetic poetry political present Professor public world question reality reason Regan relation scene seems sense Shake Shakespeare significance simply soliloquy Sonnets speak speech suggest T. S. Eliot thee theme things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural whole Wilson Knight words