Some Shakespearean ThemesChatto & Windus, 1959 - 183 pagini |
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Pagina 74
... must first turn from the question of ' human nature ' to that of the wider ' Nature ' within which human life has its setting . In our own ' philosophies of life ' , as in the play , the two questions prove in the long 74 King Lear.
... must first turn from the question of ' human nature ' to that of the wider ' Nature ' within which human life has its setting . In our own ' philosophies of life ' , as in the play , the two questions prove in the long 74 King Lear.
Pagina 93
... question in which Lear's self - revelation came to a head— ' Which of you shall we say doth love us most ? ' Then the question was asked in a tone that implied the expectation of a gratifying answer : the leisurely and expansive rhythm ...
... question in which Lear's self - revelation came to a head— ' Which of you shall we say doth love us most ? ' Then the question was asked in a tone that implied the expectation of a gratifying answer : the leisurely and expansive rhythm ...
Pagina 210
... questions concerning the authenticity of the Ghost or the means whereby Claudius may be trapped are subordinate to it . Ham- let's question , the question that he is continually asking himself , is , How can I live ? What shall I do to ...
... questions concerning the authenticity of the Ghost or the means whereby Claudius may be trapped are subordinate to it . Ham- let's question , the question that he is continually asking himself , is , How can I live ? What shall I do to ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
1817 LIBRARIES action Antony Antony and Cleopatra Apemantus appearance attitudes aware Boethius C. S. Lewis CHAPTER character Cleopatra comedy consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay evil experience F. R. Leavis fact Falstaff feel Fool force give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence irony kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman means MICHIGAN mind moral murder nature Nature's night Othello passage passion pattern philosophic phrase play play's poet poetic poetry political present Professor public world question reality reason Regan relation scene seems sense Shake Shakespeare significance simply soliloquy Sonnets speak speech suggest T. S. Eliot thee theme things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural whole Wilson Knight words