Some Shakespearean ThemesChatto & Windus, 1959 - 183 pagini |
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Pagina 69
... play seems quite at home in the atmosphere of silly smart - talk that Pandarus reports ( un- critically and at ... play's climax strikes home . This she ? no ; this is Diomed's Cressida . If beauty have a soul , this is not she ...
... play seems quite at home in the atmosphere of silly smart - talk that Pandarus reports ( un- critically and at ... play's climax strikes home . This she ? no ; this is Diomed's Cressida . If beauty have a soul , this is not she ...
Pagina 71
... play leaves us . That , however , was not where Shakespeare was con- tent to leave himself for long . Troilus and Cressida implies more than it contrives to say ; and what it implies may be best seen if we consider again the play's ...
... play leaves us . That , however , was not where Shakespeare was con- tent to leave himself for long . Troilus and Cressida implies more than it contrives to say ; and what it implies may be best seen if we consider again the play's ...
Pagina 249
... play without moral presuppositions , but although these presuppositions are finally reaffirmed , and thereby deepened and renewed , hostility and blindness towards them are so strongly built into the play's structure that one can only ...
... play without moral presuppositions , but although these presuppositions are finally reaffirmed , and thereby deepened and renewed , hostility and blindness towards them are so strongly built into the play's structure that one can only ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Alte ediții - Afișează-le pe toate
Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
1817 LIBRARIES action Antony Antony and Cleopatra Apemantus appearance attitudes aware Boethius C. S. Lewis CHAPTER character Cleopatra comedy consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay evil experience F. R. Leavis fact Falstaff feel Fool force give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence irony kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman means MICHIGAN mind moral murder nature Nature's night Othello passage passion pattern philosophic phrase play play's poet poetic poetry political present Professor public world question reality reason Regan relation scene seems sense Shake Shakespeare significance simply soliloquy Sonnets speak speech suggest T. S. Eliot thee theme things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural whole Wilson Knight words