Some Shakespearean ThemesChatto & Windus, 1959 - 183 pagini |
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Pagina 66
Lionel Charles Knights. mode of judgment based entirely on the subjective ground of passion and will . Hector is there to provide the apt comment , - The reasons you allege do more conduce To the hot passion of distemper'd blood Than to ...
Lionel Charles Knights. mode of judgment based entirely on the subjective ground of passion and will . Hector is there to provide the apt comment , - The reasons you allege do more conduce To the hot passion of distemper'd blood Than to ...
Pagina 207
... passion . Come , come , and sit you down ; you shall not budge ; You go not till I set you up a glass Where you may see the inmost part of you . If with genuine , even with passionate , concern , you want to help someone in great need ...
... passion . Come , come , and sit you down ; you shall not budge ; You go not till I set you up a glass Where you may see the inmost part of you . If with genuine , even with passionate , concern , you want to help someone in great need ...
Pagina 210
... passion ' that is , as Dover Wilson explains , arrested or taken prisoner ( " lapsed ' ) by circumstances and passion . Hamlet , as everyone says , is an intellectual , but he does little enough effective thinking on the moral and ...
... passion ' that is , as Dover Wilson explains , arrested or taken prisoner ( " lapsed ' ) by circumstances and passion . Hamlet , as everyone says , is an intellectual , but he does little enough effective thinking on the moral and ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
1817 LIBRARIES action Antony Antony and Cleopatra Apemantus appearance attitudes aware Boethius C. S. Lewis CHAPTER character Cleopatra comedy consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay evil experience F. R. Leavis fact Falstaff feel Fool force give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence irony kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman means MICHIGAN mind moral murder nature Nature's night Othello passage passion pattern philosophic phrase play play's poet poetic poetry political present Professor public world question reality reason Regan relation scene seems sense Shake Shakespeare significance simply soliloquy Sonnets speak speech suggest T. S. Eliot thee theme things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural whole Wilson Knight words