Some Shakespearean ThemesChatto & Windus, 1959 - 183 pagini |
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Pagina 12
... mind . ' No Elizabethan plays achieved or aimed at a formalism of that kind . But by a happy combination of circum- stances some degree of formalism was inevitable . And the advantages of formalism , for dramatist and spectators , are ...
... mind . ' No Elizabethan plays achieved or aimed at a formalism of that kind . But by a happy combination of circum- stances some degree of formalism was inevitable . And the advantages of formalism , for dramatist and spectators , are ...
Pagina 191
... mind or consciousness . It is an extremely complex state of mind , in which reason and emotion , attitudes towards the self and towards other persons and the world at large , are revealed both directly and through a series of en ...
... mind or consciousness . It is an extremely complex state of mind , in which reason and emotion , attitudes towards the self and towards other persons and the world at large , are revealed both directly and through a series of en ...
Pagina 211
... Mind : 1 Yet a further condition of the creative growth of the mind is moral integrity . . . Our thinking is bound up with our characters as morally responsible people . Yet Coleridge can distinguish between the kind of ...
... Mind : 1 Yet a further condition of the creative growth of the mind is moral integrity . . . Our thinking is bound up with our characters as morally responsible people . Yet Coleridge can distinguish between the kind of ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
1817 LIBRARIES action Antony Antony and Cleopatra Apemantus appearance attitudes aware Boethius C. S. Lewis CHAPTER character Cleopatra comedy consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay evil experience F. R. Leavis fact Falstaff feel Fool force give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence irony kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman means MICHIGAN mind moral murder nature Nature's night Othello passage passion pattern philosophic phrase play play's poet poetic poetry political present Professor public world question reality reason Regan relation scene seems sense Shake Shakespeare significance simply soliloquy Sonnets speak speech suggest T. S. Eliot thee theme things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural whole Wilson Knight words