Some Shakespearean ThemesChatto & Windus, 1959 - 183 pagini |
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Pagina 16
... merely that- even Titus Andronicus , with its literary and derived hor- rors , points forward to the preoccupation with a truly appalling inhumanity that culminates in King Lear - but there is a sense in which they derive not from ...
... merely that- even Titus Andronicus , with its literary and derived hor- rors , points forward to the preoccupation with a truly appalling inhumanity that culminates in King Lear - but there is a sense in which they derive not from ...
Pagina 67
... merely incidental , for it only em- phasizes what is in fact intrinsic to their relationship . The poetry of parting strikes a note almost identical with the poetry of anticipation . Injurious time now with a robber's haste Crams his ...
... merely incidental , for it only em- phasizes what is in fact intrinsic to their relationship . The poetry of parting strikes a note almost identical with the poetry of anticipation . Injurious time now with a robber's haste Crams his ...
Pagina 92
... mere summoners are thunderbolts ) , is yet like it in the exaction of merely retributive penalties . ' Unwhipp'd of justice ' is indeed one of those revealing phrases that , simply by what it takes for granted , sums up a fundamental ...
... mere summoners are thunderbolts ) , is yet like it in the exaction of merely retributive penalties . ' Unwhipp'd of justice ' is indeed one of those revealing phrases that , simply by what it takes for granted , sums up a fundamental ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Alte ediții - Afișează-le pe toate
Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
1817 LIBRARIES action Antony Antony and Cleopatra Apemantus appearance attitudes aware Boethius C. S. Lewis CHAPTER character Cleopatra comedy consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay evil experience F. R. Leavis fact Falstaff feel Fool force give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence irony kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman means MICHIGAN mind moral murder nature Nature's night Othello passage passion pattern philosophic phrase play play's poet poetic poetry political present Professor public world question reality reason Regan relation scene seems sense Shake Shakespeare significance simply soliloquy Sonnets speak speech suggest T. S. Eliot thee theme things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural whole Wilson Knight words