Some Shakespearean ThemesChatto & Windus, 1959 - 183 pagini |
Din interiorul cărții
Rezultatele 1 - 3 din 21
Pagina 107
... look at a masterpiece , we enter into it and live with it . Our suffering , then , and our acceptance of suffering , not simply our sympathy with what we see on the stage , form an intrinsic part of what the play is ; for as with Lear ...
... look at a masterpiece , we enter into it and live with it . Our suffering , then , and our acceptance of suffering , not simply our sympathy with what we see on the stage , form an intrinsic part of what the play is ; for as with Lear ...
Pagina 196
... look at the " To be , or not to be ' soliloquy in some detail . Here I would simply call attention to the way in which it expresses this basic aspect of Hamlet's attitude to death . The speech ( if I may make use of what I have written ...
... look at the " To be , or not to be ' soliloquy in some detail . Here I would simply call attention to the way in which it expresses this basic aspect of Hamlet's attitude to death . The speech ( if I may make use of what I have written ...
Pagina 229
... look down , and this unnatural scene They laugh at . O my mother , mother ! O ! You have won a happy victory to Rome ; But for your son , believe it , O , believe it , Most dangerously you have with him prevail'd , If not most mortal to ...
... look down , and this unnatural scene They laugh at . O my mother , mother ! O ! You have won a happy victory to Rome ; But for your son , believe it , O , believe it , Most dangerously you have with him prevail'd , If not most mortal to ...
Cuprins
On Some Contemporary Trends in Shakespeare | 3 |
First Observations | 16 |
The Sonnets and King Henry | 35 |
Drept de autor | |
6 alte secțiuni nu sunt arătate
Alte ediții - Afișează-le pe toate
Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action answer appearance aspects attitudes aware bring CHAPTER character close comes common complex concern consciousness course criticism death defined direction directly doth effect Elizabethan essay essential evil experience expression fact feel final follow Fool force give given Gloucester Hamlet hand hath heart Henry honour human imagery imaginative insistence interest kind King Lear Lear's less lines living look Macbeth madness matter means merely MICHIGAN mind moral murder nature particular passage perhaps phrase play poetry political present question reason references relation remarked represent scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit stand suggest taken thee theme things thou thought tion tragedies Troilus true truth UNIVERSITY values whole