Some Shakespearean ThemesChatto & Windus, 1959 - 183 pagini |
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Pagina 3
... kind of thing men have the kind of thing men have got from Shakespeare , has varied enormously at different periods . Of course no single mode of appreciation was ever completely domi- nant ; and between critics sharing a roughly ...
... kind of thing men have the kind of thing men have got from Shakespeare , has varied enormously at different periods . Of course no single mode of appreciation was ever completely domi- nant ; and between critics sharing a roughly ...
Pagina 8
... kind of attention that its poetry demands is qualitatively different from the kind of attention demanded by the poetry of Macbeth . And the level at which mean- ings take place in poetry is determined by the kind and degree of activity ...
... kind of attention that its poetry demands is qualitatively different from the kind of attention demanded by the poetry of Macbeth . And the level at which mean- ings take place in poetry is determined by the kind and degree of activity ...
Pagina 110
... kind of direct sen- sory awareness work together can we enter fully into that exploratory and defining process . In other words , the essential structure of Macbeth , as of the other tragedies , is to be sought in the poetry . That of ...
... kind of direct sen- sory awareness work together can we enter fully into that exploratory and defining process . In other words , the essential structure of Macbeth , as of the other tragedies , is to be sought in the poetry . That of ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
1817 LIBRARIES action Antony Antony and Cleopatra Apemantus appearance attitudes aware Boethius C. S. Lewis CHAPTER character Cleopatra comedy consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay evil experience F. R. Leavis fact Falstaff feel Fool force give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence irony kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman means MICHIGAN mind moral murder nature Nature's night Othello passage passion pattern philosophic phrase play play's poet poetic poetry political present Professor public world question reality reason Regan relation scene seems sense Shake Shakespeare significance simply soliloquy Sonnets speak speech suggest T. S. Eliot thee theme things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural whole Wilson Knight words