Some Shakespearean ThemesChatto & Windus, 1959 - 183 pagini |
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Pagina x
... imaginative vision . In Chapter One I glance at some significant shifts of direction in Shakespeare criticism of the last thirty years , in order to make plain the assumptions on which I have proceeded in trying to elicit some of the ...
... imaginative vision . In Chapter One I glance at some significant shifts of direction in Shakespeare criticism of the last thirty years , in order to make plain the assumptions on which I have proceeded in trying to elicit some of the ...
Pagina 49
... imaginative impact of a play that is more lively , more complex , and more far - reaching in its implications than I have so far been able to suggest . The tone of the play is sombre ; but it could not possibly be called pessimistic or ...
... imaginative impact of a play that is more lively , more complex , and more far - reaching in its implications than I have so far been able to suggest . The tone of the play is sombre ; but it could not possibly be called pessimistic or ...
Pagina 119
... imaginative correspondence goes far beyond the use of selected analogies and implies a symbolic equivalence — indeed a relationship between what is ' natural ' for man and what is ' natural ' in the simplest and widest sense of the word ...
... imaginative correspondence goes far beyond the use of selected analogies and implies a symbolic equivalence — indeed a relationship between what is ' natural ' for man and what is ' natural ' in the simplest and widest sense of the word ...
Cuprins
On Some Contemporary Trends in Shakespeare | 3 |
First Observations | 16 |
The Sonnets and King Henry | 35 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
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action answer appearance aspects attitudes aware bring CHAPTER character close comes common complex concern consciousness course criticism death defined direction directly doth effect Elizabethan essay essential evil experience expression fact feel final follow Fool force give given Gloucester Hamlet hand hath heart Henry honour human imagery imaginative insistence interest kind King Lear Lear's less lines living look Macbeth madness matter means merely MICHIGAN mind moral murder nature particular passage perhaps phrase play poetry political present question reason references relation remarked represent scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit stand suggest taken thee theme things thou thought tion tragedies Troilus true truth UNIVERSITY values whole