Some Shakespearean ThemesChatto & Windus, 1959 - 183 pagini |
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Pagina 94
... heart ( 111. ii 72-3 ) Now comes the famous prayer on behalf of ' houseless poverty ' . you Poor naked wretches , whereso'er you are , That bide the pelting of this pitiless storm , How shall your houseless heads and unfed sides , Your ...
... heart ( 111. ii 72-3 ) Now comes the famous prayer on behalf of ' houseless poverty ' . you Poor naked wretches , whereso'er you are , That bide the pelting of this pitiless storm , How shall your houseless heads and unfed sides , Your ...
Pagina 143
... heart of personal relationships : I'll mountebank their loves , Cog their hearts from them ... Coriolanus has none of the apocalyptic quality of Macbeth . It is not a world where the sun refuses to rise or horses eat each other ; it is ...
... heart of personal relationships : I'll mountebank their loves , Cog their hearts from them ... Coriolanus has none of the apocalyptic quality of Macbeth . It is not a world where the sun refuses to rise or horses eat each other ; it is ...
Pagina 220
... heart of hearts , In my As I do thee . Hamlet's deep underlying concern is with essential being . What it seems to me that Hamlet is saying at the opening of the soliloquy is that what it means to be is the question of all questions ...
... heart of hearts , In my As I do thee . Hamlet's deep underlying concern is with essential being . What it seems to me that Hamlet is saying at the opening of the soliloquy is that what it means to be is the question of all questions ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
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1817 LIBRARIES action Antony Antony and Cleopatra Apemantus appearance attitudes aware Boethius C. S. Lewis CHAPTER character Cleopatra comedy consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay evil experience F. R. Leavis fact Falstaff feel Fool force give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence irony kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman means MICHIGAN mind moral murder nature Nature's night Othello passage passion pattern philosophic phrase play play's poet poetic poetry political present Professor public world question reality reason Regan relation scene seems sense Shake Shakespeare significance simply soliloquy Sonnets speak speech suggest T. S. Eliot thee theme things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural whole Wilson Knight words