Some Shakespearean Themes |
Din interiorul cărții
Rezultatele 1 - 3 din 38
Pagina 84
The subsequent action of the play is designed not only to force the hidden conflict in Lear into consciousness , and , with the fullest possible knowledge of the relevant facts , to compel a choice , but to force each one of us to ...
The subsequent action of the play is designed not only to force the hidden conflict in Lear into consciousness , and , with the fullest possible knowledge of the relevant facts , to compel a choice , but to force each one of us to ...
Pagina 85
It is into the world of indifferent natural forces , so glibly invoked by Edmund , that Lear is precipitated by a ... clings with the whole force of his personality , is irreconcilably opposed to what are in fact his basic attitudes .
It is into the world of indifferent natural forces , so glibly invoked by Edmund , that Lear is precipitated by a ... clings with the whole force of his personality , is irreconcilably opposed to what are in fact his basic attitudes .
Pagina 90
Now if there is one truth that the play brings home with superb force it is that neither man's reason nor his powers of perception function in isolation from the rest of his personality : quantum sumus , scimus [ 15 ] .
Now if there is one truth that the play brings home with superb force it is that neither man's reason nor his powers of perception function in isolation from the rest of his personality : quantum sumus , scimus [ 15 ] .
Ce spun oamenii - Scrie o recenzie
Nu am găsit nicio recenzie în locurile obișnuite.
Cuprins
On Some Contemporary Trends in Shakespeare | 3 |
First Observations | 16 |
The Sonnets and King Henry | 35 |
Drept de autor | |
6 alte secțiuni nu sunt arătate
Alte ediții - Afișează-le pe toate
Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action answer appearance aspects attitudes aware bring CHAPTER character close comes common complex concern consciousness course criticism death defined direction directly doth effect Elizabethan essay essential evil experience expression fact feel final follow Fool force give given Gloucester Hamlet hand hath heart Henry honour human imagery imaginative insistence interest kind King Lear Lear's less lines living look Macbeth madness matter means merely MICHIGAN mind moral murder nature particular passage perhaps phrase play poetry political present question reason references relation remarked represent scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit stand suggest taken thee theme things thou thought tion tragedies Troilus true truth UNIVERSITY values whole