Some Shakespearean ThemesChatto & Windus, 1959 - 183 pagini |
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Pagina 137
... emotion that Cleopatra can humour him until she is , as it were , again present to him . Shakespeare , however ... emotional stimulants . They were necessary for much the same reason as the feasts and wine . For the continued ...
... emotion that Cleopatra can humour him until she is , as it were , again present to him . Shakespeare , however ... emotional stimulants . They were necessary for much the same reason as the feasts and wine . For the continued ...
Pagina 197
... emotional shock he has suffered is equalled by the weakness of his mind in the face of difficult moral and ... emotional life ; in the play before us the dominant emotions are activated by certain specific shocks but they cannot be ...
... emotional shock he has suffered is equalled by the weakness of his mind in the face of difficult moral and ... emotional life ; in the play before us the dominant emotions are activated by certain specific shocks but they cannot be ...
Pagina 216
... emotional and the bodily accompaniments of a state of being issuing in a conception that will not easily yield itself to conceptual forms ( ' my thought , whose murder yet is but fantastical . . . ' ) . Such again is that other great ...
... emotional and the bodily accompaniments of a state of being issuing in a conception that will not easily yield itself to conceptual forms ( ' my thought , whose murder yet is but fantastical . . . ' ) . Such again is that other great ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Alte ediții - Afișează-le pe toate
Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
1817 LIBRARIES action Antony Antony and Cleopatra Apemantus appearance attitudes aware Boethius C. S. Lewis CHAPTER character Cleopatra comedy consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay evil experience F. R. Leavis fact Falstaff feel Fool force give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence irony kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman means MICHIGAN mind moral murder nature Nature's night Othello passage passion pattern philosophic phrase play play's poet poetic poetry political present Professor public world question reality reason Regan relation scene seems sense Shake Shakespeare significance simply soliloquy Sonnets speak speech suggest T. S. Eliot thee theme things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural whole Wilson Knight words