Some Shakespearean ThemesChatto & Windus, 1959 - 183 pagini |
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Pagina 33
... Doth he feel it ? no . Doth he hear it ? no . ' Tis insensible , then ? yea , to the dead . But will it not live with the living ? no . Why ? detraction will not suffer it . Therefore I'll none of it . Honour is a mere scutcheon ; and ...
... Doth he feel it ? no . Doth he hear it ? no . ' Tis insensible , then ? yea , to the dead . But will it not live with the living ? no . Why ? detraction will not suffer it . Therefore I'll none of it . Honour is a mere scutcheon ; and ...
Pagina 37
... doth sing , And stops her pipe in growth of riper days : Not that the summer is less pleasant now Than when her ... doth now his gift confound . Time doth transfix the flourish set on youth . And delves the parallels in beauty's ...
... doth sing , And stops her pipe in growth of riper days : Not that the summer is less pleasant now Than when her ... doth now his gift confound . Time doth transfix the flourish set on youth . And delves the parallels in beauty's ...
Pagina 84
... doth love us most ? That we our largest bounty may extend Where nature doth with merit challenge . * ( 1. i . 51-3 ) To a demand of this kind the only honest reply is Corde- lia's ' Nothing ' . Now one result of perverse demands is a ...
... doth love us most ? That we our largest bounty may extend Where nature doth with merit challenge . * ( 1. i . 51-3 ) To a demand of this kind the only honest reply is Corde- lia's ' Nothing ' . Now one result of perverse demands is a ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
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1817 LIBRARIES action Antony Antony and Cleopatra Apemantus appearance attitudes aware Boethius C. S. Lewis CHAPTER character Cleopatra comedy consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay evil experience F. R. Leavis fact Falstaff feel Fool force give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence irony kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman means MICHIGAN mind moral murder nature Nature's night Othello passage passion pattern philosophic phrase play play's poet poetic poetry political present Professor public world question reality reason Regan relation scene seems sense Shake Shakespeare significance simply soliloquy Sonnets speak speech suggest T. S. Eliot thee theme things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural whole Wilson Knight words