Some Shakespearean ThemesChatto & Windus, 1959 - 183 pagini |
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Pagina 182
... Death ! What feast is toward in thine eternal cell ... ? And it is quite early offered as an example of obvious and inescapable mortality : ' your father lost a father , That father lost , lost his ' ; it is ' as common As any the most ...
... Death ! What feast is toward in thine eternal cell ... ? And it is quite early offered as an example of obvious and inescapable mortality : ' your father lost a father , That father lost , lost his ' ; it is ' as common As any the most ...
Pagina 194
... death is often one expression of the fear of living , for death is one of the life - processes that seem too terrifying to be borne . In examining one means of becoming re- conciled to death , Mr. Eliot can show us life , too , made ...
... death is often one expression of the fear of living , for death is one of the life - processes that seem too terrifying to be borne . In examining one means of becoming re- conciled to death , Mr. Eliot can show us life , too , made ...
Pagina 196
... death . The speech ( if I may make use of what I have written elsewhere ) ' is built up on two contrasted sets of ... Death , on the other hand , is presented simply as a relaxing of tension and an abandonment of the struggle . The ...
... death . The speech ( if I may make use of what I have written elsewhere ) ' is built up on two contrasted sets of ... Death , on the other hand , is presented simply as a relaxing of tension and an abandonment of the struggle . The ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
1817 LIBRARIES action Antony Antony and Cleopatra Apemantus appearance attitudes aware Boethius C. S. Lewis CHAPTER character Cleopatra comedy consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay evil experience F. R. Leavis fact Falstaff feel Fool force give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence irony kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman means MICHIGAN mind moral murder nature Nature's night Othello passage passion pattern philosophic phrase play play's poet poetic poetry political present Professor public world question reality reason Regan relation scene seems sense Shake Shakespeare significance simply soliloquy Sonnets speak speech suggest T. S. Eliot thee theme things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural whole Wilson Knight words