Some Shakespearean Themes |
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Pagina 82
... impersonal poem in which we hear certain voices which echo and counterpoint each other ; all that they say is part of the tormented consciousness of Lear ; and the consciousness of Lear is part of the consciousness of human kind .
... impersonal poem in which we hear certain voices which echo and counterpoint each other ; all that they say is part of the tormented consciousness of Lear ; and the consciousness of Lear is part of the consciousness of human kind .
Pagina 199
For as we come to objective consciousness , we realize that no one lives to himself : we know , in fact , that life consists in the interplay of subject and object , and that the completely isolated person can only be said to exist ...
For as we come to objective consciousness , we realize that no one lives to himself : we know , in fact , that life consists in the interplay of subject and object , and that the completely isolated person can only be said to exist ...
Pagina 232
What Hamlet represents , on the other hand , is a fixation of consciousness — a condition in which neither death nor life can be truly known . I said at the beginning that this account of Hamlet would be in some ways tentative , and I ...
What Hamlet represents , on the other hand , is a fixation of consciousness — a condition in which neither death nor life can be truly known . I said at the beginning that this account of Hamlet would be in some ways tentative , and I ...
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Cuprins
On Some Contemporary Trends in Shakespeare | 3 |
First Observations | 16 |
The Sonnets and King Henry | 35 |
Drept de autor | |
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Alte ediții - Afișează-le pe toate
Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action answer appearance aspects attitudes aware bring CHAPTER character close comes common complex concern consciousness course criticism death defined direction directly doth effect Elizabethan essay essential evil experience expression fact feel final follow Fool force give given Gloucester Hamlet hand hath heart Henry honour human imagery imaginative insistence interest kind King Lear Lear's less lines living look Macbeth madness matter means merely MICHIGAN mind moral murder nature particular passage perhaps phrase play poetry political present question reason references relation remarked represent scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit stand suggest taken thee theme things thou thought tion tragedies Troilus true truth UNIVERSITY values whole