Some Shakespearean ThemesChatto & Windus, 1959 - 183 pagini |
Din interiorul cărții
Rezultatele 1 - 3 din 29
Pagina 147
... character and action were more important to him than abstract ideas . Shakespeare used ideas to interpret character and action . ' True ; but it would be equally true to say that Shakespeare used the analysis of character and ...
... character and action were more important to him than abstract ideas . Shakespeare used ideas to interpret character and action . ' True ; but it would be equally true to say that Shakespeare used the analysis of character and ...
Pagina 237
... characters of the greatest intensity of life unless his personages , in their reciprocal actions and behaviour in ... character ' , as applied to Shake- speare's poetic drama . 3. In Joseph Quincy Adams : Memorial Studies , ed . J. G. ...
... characters of the greatest intensity of life unless his personages , in their reciprocal actions and behaviour in ... character ' , as applied to Shake- speare's poetic drama . 3. In Joseph Quincy Adams : Memorial Studies , ed . J. G. ...
Pagina 239
... Characters of Shakespeare . 3. See E. M. W. Tillyard's Shakespeare's History Plays , and A. P. Rossiter's Preface to the ... character , themselves handled with greater flexibility and insight , tend increas- ingly to find their proper ...
... Characters of Shakespeare . 3. See E. M. W. Tillyard's Shakespeare's History Plays , and A. P. Rossiter's Preface to the ... character , themselves handled with greater flexibility and insight , tend increas- ingly to find their proper ...
Cuprins
On Some Contemporary Trends in Shakespeare | 3 |
First Observations | 16 |
The Sonnets and King Henry | 35 |
Drept de autor | |
6 alte secțiuni nu sunt arătate
Alte ediții - Afișează-le pe toate
Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action answer appearance aspects attitudes aware bring CHAPTER character close comes common complex concern consciousness course criticism death defined direction directly doth effect Elizabethan essay essential evil experience expression fact feel final follow Fool force give given Gloucester Hamlet hand hath heart Henry honour human imagery imaginative insistence interest kind King Lear Lear's less lines living look Macbeth madness matter means merely MICHIGAN mind moral murder nature particular passage perhaps phrase play poetry political present question reason references relation remarked represent scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit stand suggest taken thee theme things thou thought tion tragedies Troilus true truth UNIVERSITY values whole