Some Shakespearean ThemesChatto & Windus, 1959 - 183 pagini |
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Pagina 147
... character and action were more important to him than abstract ideas . Shakespeare used ideas to interpret character and action . ' True ; but it would be equally true to say that Shakespeare used the analysis of character and ...
... character and action were more important to him than abstract ideas . Shakespeare used ideas to interpret character and action . ' True ; but it would be equally true to say that Shakespeare used the analysis of character and ...
Pagina 237
... characters of the greatest intensity of life unless his personages , in their reciprocal actions and behaviour ... character ' , as applied to Shake- speare's poetic drama . 3. In Joseph Quincy Adams : Memorial Studies , ed . J. G. ...
... characters of the greatest intensity of life unless his personages , in their reciprocal actions and behaviour ... character ' , as applied to Shake- speare's poetic drama . 3. In Joseph Quincy Adams : Memorial Studies , ed . J. G. ...
Pagina 239
... Characters of Shakespeare . 3. See E. M. W. Tillyard's Shakespeare's History Plays , and A. P. Rossiter's Preface to ... character , themselves handled with greater flexibility and insight , tend increas- ingly to find their proper ...
... Characters of Shakespeare . 3. See E. M. W. Tillyard's Shakespeare's History Plays , and A. P. Rossiter's Preface to ... character , themselves handled with greater flexibility and insight , tend increas- ingly to find their proper ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
1817 LIBRARIES action Antony Antony and Cleopatra Apemantus appearance attitudes aware Boethius C. S. Lewis CHAPTER character Cleopatra comedy consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay evil experience F. R. Leavis fact Falstaff feel Fool force give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence irony kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman means MICHIGAN mind moral murder nature Nature's night Othello passage passion pattern philosophic phrase play play's poet poetic poetry political present Professor public world question reality reason Regan relation scene seems sense Shake Shakespeare significance simply soliloquy Sonnets speak speech suggest T. S. Eliot thee theme things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural whole Wilson Knight words