Some Shakespearean ThemesChatto & Windus, 1959 - 183 pagini |
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Pagina x
... aware of connexions even within a limited area is not only to get fresh insight into the development of Shakespeare's thought as a whole , it is to deepen our understanding of the individual plays . The charge that my selection of ...
... aware of connexions even within a limited area is not only to get fresh insight into the development of Shakespeare's thought as a whole , it is to deepen our understanding of the individual plays . The charge that my selection of ...
Pagina 135
... aware in the Egyptian scenes . We do not need any Roman prompting to be aware of something cloying in the sexual insistence ( in the opening of 1. ii , for example ) , and of something practised in ( to borrow a phrase from North ) the ...
... aware in the Egyptian scenes . We do not need any Roman prompting to be aware of something cloying in the sexual insistence ( in the opening of 1. ii , for example ) , and of something practised in ( to borrow a phrase from North ) the ...
Pagina 216
... aware both of the emotional and the bodily accompaniments of a state of being issuing in a conception that will not easily yield itself to conceptual forms ( ' my thought , whose murder yet is but fantastical . . . " ) . Such again is ...
... aware both of the emotional and the bodily accompaniments of a state of being issuing in a conception that will not easily yield itself to conceptual forms ( ' my thought , whose murder yet is but fantastical . . . " ) . Such again is ...
Cuprins
On Some Contemporary Trends in Shakespeare | 3 |
First Observations | 16 |
The Sonnets and King Henry | 35 |
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Alte ediții - Afișează-le pe toate
Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action answer appearance aspects attitudes aware bring CHAPTER character close comes common complex concern consciousness course criticism death defined direction directly doth effect Elizabethan essay essential evil experience expression fact feel final follow Fool force give given Gloucester Hamlet hand hath heart Henry honour human imagery imaginative insistence interest kind King Lear Lear's less lines living look Macbeth madness matter means merely MICHIGAN mind moral murder nature particular passage perhaps phrase play poetry political present question reason references relation remarked represent scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit stand suggest taken thee theme things thou thought tion tragedies Troilus true truth UNIVERSITY values whole