Some Shakespearean ThemesChatto & Windus, 1959 - 183 pagini |
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Pagina 71
... Troilus and Cressida implies more than it contrives to say ; and what it implies may be best seen if we consider again the play's position within the Shakespearean sequence . Time dominates many of the Sonnets ; time and death , the ...
... Troilus and Cressida implies more than it contrives to say ; and what it implies may be best seen if we consider again the play's position within the Shakespearean sequence . Time dominates many of the Sonnets ; time and death , the ...
Pagina 72
... Troilus's from which reason is excluded . Now Troilus and Cressida raises a further question , which is simply , How do men come to give themselves to appearances ? It is easy enough to see that the ' public ' world evoked by Ulysses is ...
... Troilus's from which reason is excluded . Now Troilus and Cressida raises a further question , which is simply , How do men come to give themselves to appearances ? It is easy enough to see that the ' public ' world evoked by Ulysses is ...
Pagina 246
... Troilus ' terminology is indefinite and the expression of his argument ... Cressida later makes an apt comment on this speech : " The error of our eye ... Troilus and Cressida to King Lear I am , I know , taking a large stride ...
... Troilus ' terminology is indefinite and the expression of his argument ... Cressida later makes an apt comment on this speech : " The error of our eye ... Troilus and Cressida to King Lear I am , I know , taking a large stride ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
1817 LIBRARIES action Antony Antony and Cleopatra Apemantus appearance attitudes aware Boethius C. S. Lewis CHAPTER character Cleopatra comedy consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay evil experience F. R. Leavis fact Falstaff feel Fool force give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence irony kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman means MICHIGAN mind moral murder nature Nature's night Othello passage passion pattern philosophic phrase play play's poet poetic poetry political present Professor public world question reality reason Regan relation scene seems sense Shake Shakespeare significance simply soliloquy Sonnets speak speech suggest T. S. Eliot thee theme things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural whole Wilson Knight words