Some Shakespearean ThemesChatto & Windus, 1959 - 183 pagini |
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... Shakespeare's major plays ; but even this description is one that immediately requires quali- fication . Shakespeare was ' the greatest of all Tudor thinkers ' [ 2 ] but clearly he was not someone who ' thought out ' problems ...
... Shakespeare's major plays ; but even this description is one that immediately requires quali- fication . Shakespeare was ' the greatest of all Tudor thinkers ' [ 2 ] but clearly he was not someone who ' thought out ' problems ...
Pagina 3
... Shakespeare , Ithe kind of thing men have the kind of thing men have got from Shakespeare , has varied enormously at different periods . Of course no single mode of appreciation was ever completely domi- nant ; and between critics ...
... Shakespeare , Ithe kind of thing men have the kind of thing men have got from Shakespeare , has varied enormously at different periods . Of course no single mode of appreciation was ever completely domi- nant ; and between critics ...
Pagina 237
... Shakespeare's Major Tragedies ( 1961 ) . Arthur Sewell's Character and Society in Shakespeare is the most useful account known to me of the meanings of the term , ' character ' , as applied to Shake- speare's poetic drama . 3. In Joseph ...
... Shakespeare's Major Tragedies ( 1961 ) . Arthur Sewell's Character and Society in Shakespeare is the most useful account known to me of the meanings of the term , ' character ' , as applied to Shake- speare's poetic drama . 3. In Joseph ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
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1817 LIBRARIES action Antony Antony and Cleopatra Apemantus appearance attitudes aware Boethius C. S. Lewis CHAPTER character Cleopatra comedy consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay evil experience F. R. Leavis fact Falstaff feel Fool force give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence irony kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman means MICHIGAN mind moral murder nature Nature's night Othello passage passion pattern philosophic phrase play play's poet poetic poetry political present Professor public world question reality reason Regan relation scene seems sense Shake Shakespeare significance simply soliloquy Sonnets speak speech suggest T. S. Eliot thee theme things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural whole Wilson Knight words