Some Shakespearean ThemesChatto & Windus, 1959 - 183 pagini |
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Pagina 23
... Shake- speare drew on More's vivid and dramatic presentation in his Life of Richard III [ 7 ] . ) But it is as the Machiavel — not the merely theatrical Machiavel , but the a - moral political ' realist ' — that Shakespeare is primarily ...
... Shake- speare drew on More's vivid and dramatic presentation in his Life of Richard III [ 7 ] . ) But it is as the Machiavel — not the merely theatrical Machiavel , but the a - moral political ' realist ' — that Shakespeare is primarily ...
Pagina 237
... Shake- speare's poetic drama . 3. In Joseph Quincy Adams : Memorial Studies , ed . J. G. McManaway and others ( The Folger Shakespeare Library , 1948 ) , pp . 81 ff . 4. It is of course true , as Professor Campbell contends , that ...
... Shake- speare's poetic drama . 3. In Joseph Quincy Adams : Memorial Studies , ed . J. G. McManaway and others ( The Folger Shakespeare Library , 1948 ) , pp . 81 ff . 4. It is of course true , as Professor Campbell contends , that ...
Pagina 257
... ( Shake- speare's Plutarch , ed . C. F. Tucker Brooke , Vol . 11 , p . 86 ) . 4. A view of the play in some ways similar to this is expressed by Professor John F. Danby in Poets on Fortune's Hill : Studies in Sidney , Shake- speare ...
... ( Shake- speare's Plutarch , ed . C. F. Tucker Brooke , Vol . 11 , p . 86 ) . 4. A view of the play in some ways similar to this is expressed by Professor John F. Danby in Poets on Fortune's Hill : Studies in Sidney , Shake- speare ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
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1817 LIBRARIES action Antony Antony and Cleopatra Apemantus appearance attitudes aware Boethius C. S. Lewis CHAPTER character Cleopatra comedy consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay evil experience F. R. Leavis fact Falstaff feel Fool force give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence irony kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman means MICHIGAN mind moral murder nature Nature's night Othello passage passion pattern philosophic phrase play play's poet poetic poetry political present Professor public world question reality reason Regan relation scene seems sense Shake Shakespeare significance simply soliloquy Sonnets speak speech suggest T. S. Eliot thee theme things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural whole Wilson Knight words