To put on yellow stockings, and to frown Oli. Alas, Malvolio, this is not my writing, First told me, thou wast mad; then cam'st in smiling, Of thine own cause. Fab. Good madam, hear me speak; Which I have wonder'd at. In hope it shall not, Oli. Alas, poor fool! how have they baffled thee! Clo. Why, some are born great, some achieve greatness, and some have greatness thrown upon them. I was one, sir, in this interlude; one Sir Topas, sir; but that's all one:- -By the Lord, fool, I am not mad ;-But do you remember? Madam, why laugh you at such a barren rascal? an you smile not, he's gagg'd: And thus the whirligig of time brings in his revenges. Mal. I'll be revenged on the whole pack of you. [Exit. Oli. He hath been most notoriously abus'd. Of our dear souls-Meantime, sweet sister, SONG. [Exeunt. Clo. When that I was and a little tiny boy, For the rain it raineth every day. But when I came to man's estate, With hey, ho, the wind and the rain, 'Gainst knave and thief men shut their gate, For the rain it raineth every day. But when I came, alas! to wive, With hey, ho, the wind and the rain, But when I came unto my bed, A great while ago the world begun, [Exit. This play is in the graver part elegant and easy, and in some of the lighter scenes exquisitely humorous. Ague-cheek is drawn with great propriety, but his character is, in a great measure, that of natural fatuity, and is therefore not the proper prey of a satirist. The soliloquy of Malvolio is truly comic; he is betrayed to ridicule merely by his pride. The marriage of Olivia, and the succeeding perplexity, though well enough contrived to divert on the stage, wants credibility, and fails to produce the proper instruction required in the drama, as it exhibits no just picture of life. JOHNSON. |