Dreaming of ItalyRoyal Picture Gallery Mauritshuis, 2006 - 128 pagini "Dreaming of Italy is the story of a love affair. It recounts the age-long passion that western-European artists have felt for the land of Italy, with all its warmth and light, art and culture. Art historian and former director of Amsterdam's Rijksmuseum, Henk van Os, develops the account in his inimitable style, disclosing for the first time how the dream of Italy grew and changed down the centuries." "He tells the story with masterworks by major artists such as Gossaert, Claude Lorrain, Poussin, Corot, Turner and Feuerbach. It starts in the sixteenth century, when artists became interested in studying and documenting the relics of an ancient past. Their seventeenth-century successors were charmed by the beauty of the countryside and the golden glow of the Italian sunlight. The idealized landscapes they produced became the benchmark for many years to conic. In about 1800 a new trend began - open-air painting, which had its birth in Rome. This led to a new way of looking at the landscape. Side by side with this came an interest in the ordinary people with their unquestioning faith. Around 1900, the rearguard of the Italian artistic Grand Tour became filled with a nostalgic longing, as intense as its object was unattainable."--BOOK JACKET. |
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Pagina 20
... kind of premium for the dream of Italy . Then in 1817 , encouraged by Pierre Henri de Valenciennes , a Prix de Rome for landscape painting finally appeared . Up until then , the academies had looked upon landscape paintings as a kind of ...
... kind of premium for the dream of Italy . Then in 1817 , encouraged by Pierre Henri de Valenciennes , a Prix de Rome for landscape painting finally appeared . Up until then , the academies had looked upon landscape paintings as a kind of ...
Pagina 42
... kind of painting , a light - hearted mixture of architectural and topographical subjects , is termed a capriccio . The landscape fantasy by Herman Posthumus is one of the earliest - known examples of this genre . What the Italian artist ...
... kind of painting , a light - hearted mixture of architectural and topographical subjects , is termed a capriccio . The landscape fantasy by Herman Posthumus is one of the earliest - known examples of this genre . What the Italian artist ...
Pagina 104
... kind of ' who's who ' key . After the lithograph was completed in 1834 Ingres added the figures along the base of the painting . ་ fig . 38 : Joseph Mallord William Turner , ' View of the Dogana and the Church of San Giorgio in Venice ...
... kind of ' who's who ' key . After the lithograph was completed in 1834 Ingres added the figures along the base of the painting . ་ fig . 38 : Joseph Mallord William Turner , ' View of the Dogana and the Church of San Giorgio in Venice ...
Cuprins
Contents | 6 |
S2 Learning from the ancients page | 34 |
3 Land without ravelled edges page | 50 |
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ancient Anselm Feuerbach architectural Arnold Böcklin Art Gallery art historian Asselijn Bartholomeus Breenbergh Bracciano capriccio Carl Blechen Cat.no cityscape classical Claude Joseph Vernet Claude Lorrain composition contrast Cornelis van Poelenburch Corot depicting Deutsch-Römer drawing dream of Italy Dürer Dutch Eckersberg exhibition figures Fohr foreground French Gerard ter Borch German Goltzius Grand Tour Haarlem Hague Hendrick Goltzius hermit ideal landscape Ingres inspired Iphigenia Italian landscape Jan Gossaert Joseph Anton Koch journey Karel van Mander klassische Land Kunst landscape painting Leighton Lingelbach London longing for Italy Maarten van Heemskerk Mauritshuis monuments motif Naples National Gallery nature Nazarenes Netherlands Nicolas Poussin nineteenth century Northern Netherlandish oil sketches painter palaces Paris Paul Bril Picture Gallery Mauritshuis piece plein-air painting Ponte Molle pope Private collection religious Roman Rome Royal Picture Gallery ruins scene Sehnsucht showing sublime Sweerts Tivoli tradition Turner Utrecht Vasari's Venice View viewer Villa Waetzoldt Winterthur Wittel