Dreaming of ItalyRoyal Picture Gallery Mauritshuis, 2006 - 128 pagini "Dreaming of Italy is the story of a love affair. It recounts the age-long passion that western-European artists have felt for the land of Italy, with all its warmth and light, art and culture. Art historian and former director of Amsterdam's Rijksmuseum, Henk van Os, develops the account in his inimitable style, disclosing for the first time how the dream of Italy grew and changed down the centuries." "He tells the story with masterworks by major artists such as Gossaert, Claude Lorrain, Poussin, Corot, Turner and Feuerbach. It starts in the sixteenth century, when artists became interested in studying and documenting the relics of an ancient past. Their seventeenth-century successors were charmed by the beauty of the countryside and the golden glow of the Italian sunlight. The idealized landscapes they produced became the benchmark for many years to conic. In about 1800 a new trend began - open-air painting, which had its birth in Rome. This led to a new way of looking at the landscape. Side by side with this came an interest in the ordinary people with their unquestioning faith. Around 1900, the rearguard of the Italian artistic Grand Tour became filled with a nostalgic longing, as intense as its object was unattainable."--BOOK JACKET. |
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Pagina 38
... Heemskerk decided to move to Haarlem because he wanted to study the new ideas about art introduced by Jan van Scorel . For several years , under the wing , as it were , of Van Scorel , he produced magnificent work and all this time he ...
... Heemskerk decided to move to Haarlem because he wanted to study the new ideas about art introduced by Jan van Scorel . For several years , under the wing , as it were , of Van Scorel , he produced magnificent work and all this time he ...
Pagina 40
... Heemskerk was making his drawing it was still partly buried under rubble . But a year later , in honour of a visit from the Habsburg emperor Charles V , the rubbish was cleared and the impressive arch excavated . The drawing also shows ...
... Heemskerk was making his drawing it was still partly buried under rubble . But a year later , in honour of a visit from the Habsburg emperor Charles V , the rubbish was cleared and the impressive arch excavated . The drawing also shows ...
Pagina 44
... Heemskerk and Goltzius . They had been assiduous students , and wanted this to be known . Van Mander commends the statues of the Dioscuri , which both Goltzius and Van Heemskerk had drawn , as follows : ' Consider also the horses of ...
... Heemskerk and Goltzius . They had been assiduous students , and wanted this to be known . Van Mander commends the statues of the Dioscuri , which both Goltzius and Van Heemskerk had drawn , as follows : ' Consider also the horses of ...
Cuprins
Contents | 6 |
S2 Learning from the ancients page | 34 |
3 Land without ravelled edges page | 50 |
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Termeni și expresii frecvente
ancient Anselm Feuerbach architectural Arnold Böcklin Art Gallery art historian Asselijn Bartholomeus Breenbergh Bracciano capriccio Carl Blechen Cat.no cityscape classical Claude Joseph Vernet Claude Lorrain composition contrast Cornelis van Poelenburch Corot depicting Deutsch-Römer drawing dream of Italy Dürer Dutch Eckersberg exhibition figures Fohr foreground French Gerard ter Borch German Goltzius Grand Tour Haarlem Hague Hendrick Goltzius hermit ideal landscape Ingres inspired Iphigenia Italian landscape Jan Gossaert Joseph Anton Koch journey Karel van Mander klassische Land Kunst landscape painting Leighton Lingelbach London longing for Italy Maarten van Heemskerk Mauritshuis monuments motif Naples National Gallery nature Nazarenes Netherlands Nicolas Poussin nineteenth century Northern Netherlandish oil sketches painter palaces Paris Paul Bril Picture Gallery Mauritshuis piece plein-air painting Ponte Molle pope Private collection religious Roman Rome Royal Picture Gallery ruins scene Sehnsucht showing sublime Sweerts Tivoli tradition Turner Utrecht Vasari's Venice View viewer Villa Waetzoldt Winterthur Wittel