Text & Presentation, 2005Stratos E. Constantinidis McFarland, 21 dec. 2009 - 272 pagini Text & Presentation is an annual publication devoted to all aspects of theatre scholarship. It represents a selection of the best research presented at the international, interdisciplinary Comparative Drama Conference. This anthology includes papers from the 29th annual conference held in Northridge, California. Topics covered include drama in Ireland, Greece, England, Eastern Europe, Korea, Japan and North America. |
Cuprins
| 3 | |
| 15 | |
| 28 | |
4 Constance Ledbellys Birthday | 43 |
5 Waking Up with Kaffirs | 56 |
6 A Prolegomenon to Comparative Drama in Canada | 66 |
7 Olga Taxidous Medea | 81 |
8 A Politics of the Heart | 93 |
12 Fair Fierce Women | 145 |
13 Crossover CrossDressing | 159 |
14 Poets and Ghosts Before Breakfast | 169 |
15 Playing with History in a Private Space in Taesok Ohs Gynewah Gyrungyee and Apsana Dangyugra Ogeuma Miryora | 183 |
16 Metaphors Made Flesh | 195 |
17 Frank Castorf s Vision of America | 212 |
18 Samuel Beckett | 223 |
Review of Literature | 229 |
9 Tian Han Western Theatre and Japan | 106 |
10 Improvisations of Local Character | 119 |
11 Kimchi and Corn | 132 |
Index | 251 |
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Termeni și expresii frecvente
actors adaptation aesthetic African African American archetypes Aristophanes artistic Asian Americans audience Beckett Benjamin binary Brecht Canadian Castorf characters Chorus Chunbae Constance Constance’s context critical cultural dance Desdemona di›erent drama e›ect Edward Martyn Elam English epic theatre Erysichthon essay ethnic Eugene O’Neill Euripides’s Farfan ghost Greek Guo Moruo Hamlet hand Ibsen’s Iceman Cometh identity images Irish Japan Japanese Jimmy Juliet Ka‡r Kara Kara’s Korean literary literature London Maeve Mari Martyn’s Medea modern mourning narrative neo-romanticism O’Neill O’Neill’s o›ers ofthe Oh’s Ovid Ovid’s Peg Inerny performance play play’s playwright poet poetic political production question reveals riverbed beggars role sexual Shakespeare Shijiazhuang Shinjuku Shinjuku Ryôzanpaku social song stage story su›ering Taxidou Taxidou’s theatre theatrical Tian Tian Han tion Tory traditional tragedy tragic Trans translation Turner’s University Press Vampire Lesbians W.B. Yeats Wetjoen Wilson’s woman women writing Yeats Yeats’s York Zainichi-Korean Zimmerman
Pasaje populare
Pagina 7 - Napoleon utter a more original truth than when he said, that there is but one step from the sublime to the ridiculous...
Pagina 21 - BASSANIO Do all men kill the things they do not love? SHYLOCK Hates any man the thing he would not kill? BASSANIO Every offence is not a hate at first. SHYLOCK What, wouldst thou have a serpent sting thee twice?
Pagina 22 - Then wherefore should you ask me such a question? But that I am by nature phlegmatic, slow to wrath, and prone to lechery (to love, I would say), it were not for you to come within forty foot of the place of execution...
Pagina 177 - I became drunk with the beauty and singing rhythm of it, and for a moment I lost myself— actually lost my life. I was set free! I dissolved in the sea, became white sails and flying spray, became beauty and rhythm, became moonlight and the ship and the high dim-starred sky! I belonged, without past or future, within peace and unity and a wild joy, within something greater than my own life, or the life of Man, to Life itself! To God, if you want to put it that way.
Pagina 172 - ... scream and snatched the child from its little bed and she and the nurse ran down to the lady's sleeping-room, where Mr Prosser was in bed, shutting the door as they entered; and they had hardly done so, when a gentle tap came to it from the outside. There is a great deal more, but this will suffice. The singularity of the narrative seems to me to be this, that it describes the ghost of a hand and no more. The person to whom that hand belonged never once appeared; nor was it a hand separated from...
Pagina 99 - ... a greater service to our country than writing that compromises either in the seeming service of a cause.
Pagina 102 - Why do you dance? Why do you gaze, and with so passionate eyes, One on the other; and then turn away, Covering your eyes, and weave it in a dance? Who are you? what are you? you are not natural. Young Girl. Seven hundred years our lips have never met.
Pagina 23 - Hell hath no limits, nor is circumscribed In one self place; for where we are is hell...