When every childish fashion Hymning and Harmony Of thee and of thy works, and of thy life; And mad with glimpses of futurity. For many years my offerings must be hush'd; Sudden it came, And I was startled when I caught thy name Yet at the moment temperate was my blood- TO THE NILE. "The Wednesday before last, Shelley, Hunt, and I, wrote each a sonnet on the river Nile: some day you shall read them all." February, 1818. ON of the old Moon-mountains African! A desert fills our seeing's inward span: O may dark fancies err! They surely do; THE NILE. J. K. T flows through old hush'd Egypt ana its sands, Like some grave mighty thought And times and things, as in that vision, seem extreme Of high Sesostris, and that southern beam, The laughing queen that caught the world's great hands. Then comes a mightier silence, stern and strong, And the void weighs on us; and then we wake, TO THE NILE.' L. H. ONTH after month the gather'd rains descend, Drenching yon secret Ethiopian dells, And from the Desert's ice-girt pinnacles, Up to the discovery of this sonnet among Shelley's MSS,, in the possession of Mr. Townshend Major, the sonnet entitled “Özymandias" was believed to be that written in competition with Keats Where Frost and Heat in strange embraces blend dwells By Nile's aërial urn, with rapid spells Urging its waters to their mighty end. O'er Egypt's land of memory floods are level, And they are thine, O Nile! and well thou knowest That soul-sustaining airs and blasts of evil, And fruits and poisons spring where'er thou flowest. Beware, O man! for knowledge must to thee, P. B. S. TEIGNMOUTH "In hopes of cheering you through a minute or two, I was determined, will he nill he, to send you some lines, so you will excuse the unconnected subject and careless verse. You know, I am sure, Claude's Enchanted Castle,' and I wish you may be pleased with my remembrance of it." March, 1818. EAR Reynolds! as last night I lay in There came before my eyes that Of shapes, and shadows, and remembrances, And Hazlitt playing with Miss Edgeworth's cat Making the best of's way towards Soho. Few are there who escape these visitings,Perhaps one or two whose lives have patent wings, And thro' whose curtains peeps no hellish nose, No wild-boar tushes, and no Mermaid's toes; But flowers bursting out with lusty pride, And young Eolian harps personified; Some Titian colours toucn'd into real life,The sacrifice goes on; the pontiff knife Gleams in the Sun, the milk-white heifer lows, The pipes go shrilly, the libation flows : A white sail shows above the green-head cliff, Moves round the point, and throws her anchor stiff; The mariners join hymn with those on land. You know the "Enchanted Castle,"-it doth stand Upon a rock, on the border of a Lake, You know it well enough, where it doth seem A mossy place, a Merlin's Hall, a dream; You know the clear Lake, and the little Isles, The mountains blue, and cold near neighbour rills, All which elsewhere are but half animate; There do they look alive to love and hate, To smiles and frowns; they seem a lifted mound Above some giant, pulsing underground. Part of the Building was a chosen See, Then there's a little wing, far from the Sun, Built by a Lapland Witch turn'd maudlin Nun; And many other juts of aged stone Founded with many a mason-devil's groan. The doors all look as if they oped themselves, The windows as if latch'd by Fays and Elves, And from them comes a silver flash of light, As from the westward of a Summer's night; Or like a beauteous woman's large blue eyes Gone mad thro' olden songs and poesies. See! what is coming from the distance dim! A fear in the poor Herdsman, who doth bring O, that our dreamings all, of sleep or wake, Would all their colours from the sunset take From something of material sublime, Rather than shadow our own soul's day-time |