Analysis of the Principles of Rhetorical Delivery as Applied in Reading and Speaking ...M. Newman, 1827 - 392 pagini |
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Pagina xiv
... Hymn 240 · 242 243 ib . 244 246 ib . · 248 249 250 251 ib . 256 258 259 260 • 266 EXERCISES . PART II . FAMILIAR PIECES . Hamlet's instruction to Players 267 The dead Mother 268 The Temptation 269 Partiality of Authors 270 What is Time ...
... Hymn 240 · 242 243 ib . 244 246 ib . · 248 249 250 251 ib . 256 258 259 260 • 266 EXERCISES . PART II . FAMILIAR PIECES . Hamlet's instruction to Players 267 The dead Mother 268 The Temptation 269 Partiality of Authors 270 What is Time ...
Pagina 73
... Hymn beginning , God of the morning , at whose voice , the musical accent , in many tunes would recur four times during the line , and two of these on prepositions . But is there no philos- ophy and rhetoric in music ? Is the spirit of ...
... Hymn beginning , God of the morning , at whose voice , the musical accent , in many tunes would recur four times during the line , and two of these on prepositions . But is there no philos- ophy and rhetoric in music ? Is the spirit of ...
Pagina 103
... hymn that is full of inspiration he will read with so little feeling , that it will almost of course be sung in a manner equally inani- mate . SECT . 3. - Pitch of Voice . This is a relative modification of voice ; by which we mean that ...
... hymn that is full of inspiration he will read with so little feeling , that it will almost of course be sung in a manner equally inani- mate . SECT . 3. - Pitch of Voice . This is a relative modification of voice ; by which we mean that ...
Pagina 117
... over the musical pause at the end of the tune , and began it anew , from the impulse of emotion . See example , Watts , Book 1. Hymn 3 , 6 and 7-8 and 9 stanzas . good speaker marks the close of a paragraph , or RHETORICAL PAUSE . 117.
... over the musical pause at the end of the tune , and began it anew , from the impulse of emotion . See example , Watts , Book 1. Hymn 3 , 6 and 7-8 and 9 stanzas . good speaker marks the close of a paragraph , or RHETORICAL PAUSE . 117.
Pagina 124
... hymn of Watts , and two from a psalm ; one being pathetic and reverential , the other animated and lively . These stanzas I arrange alternately , so as to ex- hibit the alternation of voice required by sentiment . * ( ° ) Alas ! and did ...
... hymn of Watts , and two from a psalm ; one being pathetic and reverential , the other animated and lively . These stanzas I arrange alternately , so as to ex- hibit the alternation of voice required by sentiment . * ( ° ) Alas ! and did ...
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Alte ediții - Afișează-le pe toate
Analysis of the Principles of Rhetorical Delivery as Applied in Reading and ... Ebenezer Porter Vizualizare completă - 1828 |
Analysis of the Principles of Rhetorical Delivery as Applied in Reading and ... Ebenezer Porter Vizualizare completă - 1828 |
Analysis of the Principles of Rhetorical Delivery as Applied in Reading and ... Ebenezer Porter Vizualizare completă - 1827 |
Termeni și expresii frecvente
Absalom accent action Ahimaaz angels answer arms art thou behold blood Cæsar cæsura Christian Cicero circumflex common dark dead death delivery denote distinction dread earth elocution eloquence emotion emphasis emphatic emphatic series eternal Euboea example Exercises expressed falling inflection falling slide father fault feeling fire gesture give grave habits hand hath hear heard hearers heart heaven HYMN Iago imitation immortal Jesus Joab Julius Cæsar king language look Lord Macd manner mark meaning Michael Cassio mind mountain never o'er open vowels orator palms united passions pause phatic poetry praise pride 15 principles PSALM reader remarks rhetorical rising slide rule sense sentence sentiment servant sleep soul sound speak speaker spirit stress syllable taste Tell thee thine things thought throne thunder tion tones utterance voice words