Practical Stylistics: An Approach to PoetryOxford University Press, 1992 - 230 pagini |
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Pagina 106
... verses one and three . There is another pattern in verse one which is repeated in verse three , namely about the ... ; and it was this recur- rence indeed which provided evidence for the filling of gap 3. Now in this second case , there ...
... verses one and three . There is another pattern in verse one which is repeated in verse three , namely about the ... ; and it was this recur- rence indeed which provided evidence for the filling of gap 3. Now in this second case , there ...
Pagina 174
... verse . Here things get rather more difficult . There is less in the way of obvious redundancy to trim away . Perhaps we could dispense with the Arabian sands and the Hebrides ( we have , after all , already got rid of the Highland Lass ) ...
... verse . Here things get rather more difficult . There is less in the way of obvious redundancy to trim away . Perhaps we could dispense with the Arabian sands and the Hebrides ( we have , after all , already got rid of the Highland Lass ) ...
Pagina 175
... verse to begin with , on the grounds that it is an incidental descriptive detail which is not subsequently developed . The sound of the singing reverber- ates away from the vale in the next verse . Here we have the invo- cations of the ...
... verse to begin with , on the grounds that it is an incidental descriptive detail which is not subsequently developed . The sound of the singing reverber- ates away from the vale in the next verse . Here we have the invo- cations of the ...
Cuprins
common features and uncouth rhymes | 3 |
Significance beyond plain speaking | 11 |
reference and representation | 16 |
Drept de autor | |
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Termeni și expresii frecvente
A.E. Housman activities actual aesthetic animacy appearance argue argument association awareness birds butterfly chapter Cleaving the darkness cocks together crow comparison consider constraints context conventional course discourse discussion divergent e e cummings earlier educational effect elusive essential example experience expressed grammatical haiku images implicatures individual interpretation interpretive communities intertex intertextual kind Kobayashi Issa lark last line lexical linguistic literature look mariner meaning mind mountain grass mountain hare night normal noun phrases original particular Patience Strong patterning of language perception perhaps Philip Larkin poem poet poetic texts possible present pronoun prose prosodic reader reality reference referential relevant representation represented rhyme seems sense sentence significance silver blow simple singing social song Stylistics suggest T.S. Eliot tense textual things tion tree variants verb verse W.H. Auden wheelbarrow William Carlos Williams words Wordsworth