SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET1960 |
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Pagina 13
... words as : time and change , appearance and reality , the fear of death and the fear of life , the meanings of nature , the meanings of relationship . Such abstract words of course tell us little about the plays in their rich ...
... words as : time and change , appearance and reality , the fear of death and the fear of life , the meanings of nature , the meanings of relationship . Such abstract words of course tell us little about the plays in their rich ...
Pagina 68
... words , we - the spectators - are directly in- volved ; and it is our confusion that largely contributes to the ambiguousness intrinsic to the play . The material that Shakespeare chose to work on was public property . His audience , he ...
... words , we - the spectators - are directly in- volved ; and it is our confusion that largely contributes to the ambiguousness intrinsic to the play . The material that Shakespeare chose to work on was public property . His audience , he ...
Pagina 216
... words it is not paraphrasable , and the reasons why it is not so are of some interest . It is of course true that poetry that without loss of meaning could be put into other words would cease to be poetry . But we all know that there is ...
... words it is not paraphrasable , and the reasons why it is not so are of some interest . It is of course true that poetry that without loss of meaning could be put into other words would cease to be poetry . But we all know that there is ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion pattern philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words