SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET1960 |
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Pagina 9
... whole in the part , and with a triumphant energy relating part to part in a living whole . But it is only in relation to that larger all - embracing meaning - determined by the ' plain sense ' of what is said , and by its overtones , by ...
... whole in the part , and with a triumphant energy relating part to part in a living whole . But it is only in relation to that larger all - embracing meaning - determined by the ' plain sense ' of what is said , and by its overtones , by ...
Pagina 102
... whole . To be sure the accumulated meaning of the play puts sufficient weight behind the bitterness , but the whole relevant context forbids a simple response . The context of course is not something ' out there ' that can be ...
... whole . To be sure the accumulated meaning of the play puts sufficient weight behind the bitterness , but the whole relevant context forbids a simple response . The context of course is not something ' out there ' that can be ...
Pagina 111
... whole . The equivocal nature of temptation , the com- merce with phantoms consequent upon false choice , the resulting sense of unreality ( ' nothing is , but what is not ' ) , which has yet such power to ' smother ' vital function ...
... whole . The equivocal nature of temptation , the com- merce with phantoms consequent upon false choice , the resulting sense of unreality ( ' nothing is , but what is not ' ) , which has yet such power to ' smother ' vital function ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion pattern philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words