SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET |
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Pagina 9
... the over - riding of grammar , and the shifts and overlapping of meanings - all these , demanding an unusual liveliness of attention , force the reader to respond with the whole of his active imagination .
... the over - riding of grammar , and the shifts and overlapping of meanings - all these , demanding an unusual liveliness of attention , force the reader to respond with the whole of his active imagination .
Pagina 102
But no more than Macbeth's ' Life is a tale told by an idiot ' can this be regarded simply as a summarizing comment emerging from the play as a whole . To be sure the accumulated meaning of the play puts sufficient weight behind the ...
But no more than Macbeth's ' Life is a tale told by an idiot ' can this be regarded simply as a summarizing comment emerging from the play as a whole . To be sure the accumulated meaning of the play puts sufficient weight behind the ...
Pagina 111
But the poetry makes further claims , and if we attend to them we find that the words do not only point inward to the presumed state of Macbeth's mind but , as it were , outward to the play as a whole . The equivocal nature of ...
But the poetry makes further claims , and if we attend to them we find that the words do not only point inward to the presumed state of Macbeth's mind but , as it were , outward to the play as a whole . The equivocal nature of ...
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Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
Drept de autor | |
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Alte ediții - Afișează-le pe toate
Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion pattern philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words