SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET1960 |
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Pagina 6
... unnatural deed of which a mother is capable . ' Well , she does say that . But is that all she says ? We can , at ... unnatural violence , and thus links with the insistence on ' unnatural deeds ' so pervasive throughout the play that ...
... unnatural deed of which a mother is capable . ' Well , she does say that . But is that all she says ? We can , at ... unnatural violence , and thus links with the insistence on ' unnatural deeds ' so pervasive throughout the play that ...
Pagina 112
... unnatural perversion of the will , an obfuscation of the clear light of reason , a principle of disorder ( both in ... unnatural , even like the deed that's done ' , and so on ) but by the expression of unnatural sentiments and an ...
... unnatural perversion of the will , an obfuscation of the clear light of reason , a principle of disorder ( both in ... unnatural , even like the deed that's done ' , and so on ) but by the expression of unnatural sentiments and an ...
Pagina 189
... fascinated horror at an abyss of evil . Now the evil is real enough : that also has been established in Act I , and there is certainly nothing unnatural in the violence of Hamlet's recoil from it' O 189 AN APPROACH TO ' HAMLET '
... fascinated horror at an abyss of evil . Now the evil is real enough : that also has been established in Act I , and there is certainly nothing unnatural in the violence of Hamlet's recoil from it' O 189 AN APPROACH TO ' HAMLET '
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion pattern philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words