SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET1960 |
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Pagina 97
... truth that dramatic statements exist in a context , and that their meaning is in relation to - often in tension with - that context . Lear is indeed the central conscious- ness of the play , but nothing , so far , has put us under any ...
... truth that dramatic statements exist in a context , and that their meaning is in relation to - often in tension with - that context . Lear is indeed the central conscious- ness of the play , but nothing , so far , has put us under any ...
Pagina 99
... truth ' ( ' his rôle ' , she adds , ' has even more intellectual than emotional signifi- cance ' ) [ 23 ] . The truths he tells are of various kinds . He can formulate the tenets of worldly wisdom with a clarity that worldly wisdom ...
... truth ' ( ' his rôle ' , she adds , ' has even more intellectual than emotional signifi- cance ' ) [ 23 ] . The truths he tells are of various kinds . He can formulate the tenets of worldly wisdom with a clarity that worldly wisdom ...
Pagina 211
... truth must love and be beloved ' . For the creative power of the mind depends in the last resort on a deep underlying state which Coleridge calls Joy . Here the locus classicus is the Dejection Ode . As Professor Emmet indicates ...
... truth must love and be beloved ' . For the creative power of the mind depends in the last resort on a deep underlying state which Coleridge calls Joy . Here the locus classicus is the Dejection Ode . As Professor Emmet indicates ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion pattern philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words