SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET1960 |
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Pagina 147
... True ; but it would be equally true to say that Shakespeare used the analysis of character and personality in the exploration of ideas : the ideas in question being not ' abstract ideas ' but themes and preoccupations of great personal ...
... True ; but it would be equally true to say that Shakespeare used the analysis of character and personality in the exploration of ideas : the ideas in question being not ' abstract ideas ' but themes and preoccupations of great personal ...
Pagina 171
... true things , and we feel that in his exchanges with Timon in IV , iii he makes a ' placing ' comment : " The middle of humanity thou never knewest , but the extremity of both ends . An thou hadst hated meddlers sooner , thou should'st ...
... true things , and we feel that in his exchanges with Timon in IV , iii he makes a ' placing ' comment : " The middle of humanity thou never knewest , but the extremity of both ends . An thou hadst hated meddlers sooner , thou should'st ...
Pagina 210
... true relationship . With this , I think , we reach the heart of the play . If , as I said earlier in these lectures , in the world of the play there is , on the one hand death , on the other , life lived with a peculiarly crude vigour ...
... true relationship . With this , I think , we reach the heart of the play . If , as I said earlier in these lectures , in the world of the play there is , on the one hand death , on the other , life lived with a peculiarly crude vigour ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion pattern philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words