SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET1960 |
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Pagina ix
... tragedies , and to see the tragedies themselves as in some sense the resolution of pressures and perplexities to be found in the plays that precede them . The procedure is almost inevitably highly selective ; most of the plays before ...
... tragedies , and to see the tragedies themselves as in some sense the resolution of pressures and perplexities to be found in the plays that precede them . The procedure is almost inevitably highly selective ; most of the plays before ...
Pagina 82
... tragedies , corresponding to equally marked differences of intention . Thus Othello , although a poetic drama , of which the success is determined by specifically poetic effects of language and symbolism , comes closer than any of the ...
... tragedies , corresponding to equally marked differences of intention . Thus Othello , although a poetic drama , of which the success is determined by specifically poetic effects of language and symbolism , comes closer than any of the ...
Pagina 110
... tragedies , is in strictly poetic and dramatic terms . It is certainly not an abstract formulation , but lies rather in the drawing out of necessary consequences and implications of that lust both in the external and the spiritual ...
... tragedies , is in strictly poetic and dramatic terms . It is certainly not an abstract formulation , but lies rather in the drawing out of necessary consequences and implications of that lust both in the external and the spiritual ...
Cuprins
On Some Contemporary Trends in Shakespeare | 3 |
First Observations | 16 |
The Sonnets and King Henry | 35 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence irony judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words