SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET |
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Pagina ix
[ 1 ] I have tried to suggest some of the lines of thought that lead into the great tragedies , and to see the tragedies themselves as in some sense the resolution of pressures and perplexities to be found in the plays that precede them ...
[ 1 ] I have tried to suggest some of the lines of thought that lead into the great tragedies , and to see the tragedies themselves as in some sense the resolution of pressures and perplexities to be found in the plays that precede them ...
Pagina 82
... was written so soon after Othello ( 1604 ) is a reminder of how misleading the phrase ' Shakespearean Tragedy ' can be . ... of manner and approach between the tragedies , corresponding to equally marked differences of intention .
... was written so soon after Othello ( 1604 ) is a reminder of how misleading the phrase ' Shakespearean Tragedy ' can be . ... of manner and approach between the tragedies , corresponding to equally marked differences of intention .
Pagina 176
But if Shakespearean tragedy is ' religious drama ' ( for we can apply this term to other plays besides Hamlet ) in so far as it is concerned not simply to draw the portrait of an outstanding individual but to focus the fundamental laws ...
But if Shakespearean tragedy is ' religious drama ' ( for we can apply this term to other plays besides Hamlet ) in so far as it is concerned not simply to draw the portrait of an outstanding individual but to focus the fundamental laws ...
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Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
Drept de autor | |
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Alte ediții - Afișează-le pe toate
Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion pattern philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words