SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET1960 |
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Pagina 53
... tone of 2 Henry IV is entirely different from the tone of detached observation of the earlier plays . In Act I , scene i , Northumberland , finding physic in the poison of ill news , throws away his crutch and ' sickly quoif ' . Now ...
... tone of 2 Henry IV is entirely different from the tone of detached observation of the earlier plays . In Act I , scene i , Northumberland , finding physic in the poison of ill news , throws away his crutch and ' sickly quoif ' . Now ...
Pagina 93
... tone may go unregarded , and it is worth recalling here that earlier question in which Lear's self - revelation came to a head' Which of you shall we say doth love us most ? ' Then the question was asked in a tone that implied the ...
... tone may go unregarded , and it is worth recalling here that earlier question in which Lear's self - revelation came to a head' Which of you shall we say doth love us most ? ' Then the question was asked in a tone that implied the ...
Pagina 99
... tone - insist on the alien aspect of Nature and on all that detracts from man's sense of his own dignity - corns , chilblains , lice , and the mere pricking of sexual desire . The Fool's meaning , however , lies not merely in what he ...
... tone - insist on the alien aspect of Nature and on all that detracts from man's sense of his own dignity - corns , chilblains , lice , and the mere pricking of sexual desire . The Fool's meaning , however , lies not merely in what he ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion pattern philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words