SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET1960 |
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Pagina 88
... Thou rascal beadle , hold thy bloody hand ! Why dost thou lash that whore ? Strip thine own back ... ( IV . vi . 162 ff . ) lust and sadism are -- with superb insight - identified . The world of appearances is based on artificial and ...
... Thou rascal beadle , hold thy bloody hand ! Why dost thou lash that whore ? Strip thine own back ... ( IV . vi . 162 ff . ) lust and sadism are -- with superb insight - identified . The world of appearances is based on artificial and ...
Pagina 91
... thou bloody hand , Thou perjur'd , and thou simular of virtue That art 91 ' KING LEAR '
... thou bloody hand , Thou perjur'd , and thou simular of virtue That art 91 ' KING LEAR '
Pagina 136
... thou knew'st too well , My heart was to thy rudder tied by the strings , And thou shouldst tow me after . O'er my spirit Thy full supremacy thou knew'st , and that ' Thy beck might from the bidding of the gods Command me . ( III . xi ...
... thou knew'st too well , My heart was to thy rudder tied by the strings , And thou shouldst tow me after . O'er my spirit Thy full supremacy thou knew'st , and that ' Thy beck might from the bidding of the gods Command me . ( III . xi ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion pattern philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words