SOME SHAKESPEAREAN THEMES AND AN APPROACH TO HAMLET1960 |
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Pagina 48
... theme of times past - part memory , part make - believe - is taken up again . ' Doth she hold her own well ? ' Shallow asks Falstaff of Jane Nightwork . FALSTAFF . Old , old , Master Shallow . SHALLOW . Nay , she must be old ; she ...
... theme of times past - part memory , part make - believe - is taken up again . ' Doth she hold her own well ? ' Shallow asks Falstaff of Jane Nightwork . FALSTAFF . Old , old , Master Shallow . SHALLOW . Nay , she must be old ; she ...
Pagina 182
... theme ' ' is death of fathers ' , and reason still hath cried , From the first corse [ ironically Abel's ] till he that died to - day , " This must be so ' . From this until the Play scene the theme is mainly expressed by Hamlet , but ...
... theme ' ' is death of fathers ' , and reason still hath cried , From the first corse [ ironically Abel's ] till he that died to - day , " This must be so ' . From this until the Play scene the theme is mainly expressed by Hamlet , but ...
Pagina 255
... Themes in Macbeth ' , in The Imperial Theme , especially pp . 140-1 , 144-5 , 148-51 . In con- trast , Macbeth projects onto Nature his own malice ; for example at III . ii . 13-15- We have scorch'd the snake , not kill'd it ; She'll ...
... Themes in Macbeth ' , in The Imperial Theme , especially pp . 140-1 , 144-5 , 148-51 . In con- trast , Macbeth projects onto Nature his own malice ; for example at III . ii . 13-15- We have scorch'd the snake , not kill'd it ; She'll ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware C. S. Lewis centre character Cleopatra concern consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay essential evil evoked experience explicit F. R. Leavis fact Falstaff feel Fool force Ghost give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence judgment kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman meaning mind moral murder nature ness night Ophelia Othello passage passion pattern philosophy phrase play play's poet poetic poetry political present public world question reality reason relation scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee themes things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural values whole Wilson Knight words